Author: primekutz

  • 1974 Archives – ThrowbackMachine.com

    Room 222

    Room 222

    Room 222 is an American comedy-drama television series produced by 20th Century Fox Television.  The series aired on ABC for 112 episodes from September 17th, 1969 until January 11th, 1974. The series focused on an American history class at the fictional Walt Whitman High School in Los Angeles, California, although it also depicted other events […]

    Adam-12

    Adam-12

    Adam-12 is a television police drama that followed two police officers of the Los Angeles Police Department (LAPD), Pete Malloy and Jim Reed, as they rode the streets of Los Angeles in their patrol unit, 1-Adam-12.  Created by R. A. Cinader and Jack Webb, who is known for creating Dragnet, the series captured a typical […]

    Gunsmoke

    Gunsmoke

    Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston.  The stories take place in and around Dodge City, Kansas, during the settlement of the American West.  The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. […]

    Disneyland

    Disneyland tv show

    The first incarnation of the Walt Disney anthology television series, commonly called The Wonderful World of Disney, premiered on ABC on Wednesday night, October 27th, 1954 under the name Disneyland.  The same basic show has since appeared on several networks under a variety of titles.  Originally hosted by Walt Disney himself, the series presented animated cartoons and other material (some […]

    Name That Tune

    Name That Tune

    Name That Tune is an American television game show that put two contestants against each other to test their knowledge of songs.  Premiering in the United States on NBC Radio in 1952, the show was created and produced by Harry Salter and his wife Roberta.  Name That Tune ran from 1953 to 1959 on NBC and CBS in prime time. The first hosts were Red Benson […]

    Masquerade Party

    Masquerade Party

    Masquerade Party is an American television game show.  During its original run from 1952–1960, the show appeared at various times on all three major networks except DuMont (ABC, NBC, and CBS).  A syndicated revival was produced for one season in 1974-75. A panel of celebrities met with another celebrity that was in heavy make-up and/or costume; this disguise would always […]

    Your Hit Parade

    Your Hit Parade

    Your Hit Parade is an American radio and television music program that was broadcast from 1935 to 1955 on radio, and seen from 1950 to 1959 on television.  It was sponsored by American Tobacco’s Lucky Strike cigarettes. André Baruch continued as the announcer when the program arrived on NBC television in summer 1950 (Del Sharbutt […]

  • What’s My Line – ThrowbackMachine.com

    What’s My Line – ThrowbackMachine.com

    What’s My Line

    What’s My Line? is a panel game show which originally ran in the United States on the CBS Television Network from 1950 to 1967, with several international versions and subsequent U.S. revivals.  The game tasks celebrity panelists with questioning contestants in order to determine their occupations.  It is the longest-running U.S. primetime network television game-show.  Moderated by John Charles Daly and with panelists Dorothy Kilgallen, Arlene Francis, and Bennett Cerf, What’s My Line? won three Emmy Awards for “Best Quiz or Audience Participation Show” in 1952, 1953, and 1958 and the Golden Globe for Best TV Show in 1962.

    Produced by Mark Goodson and Bill Todman for CBS Television, the show was initially called Occupation Unknown before deciding on the name What’s My Line?.  The original series, which was usually broadcast live, debuted on Thursday February 2nd, 1950 at 8:00 p.m. ET.  After airing alternate Wednesdays, then alternate Thursdays, finally on October 1st, 1950, it had settled into its weekly Sunday 10:30 p.m. ET slot where it would remain until the end of its network run on September 3rd, 1967.  The show was produced at CBS Studio 52 and, towards the end of its run, at CBS’ Studio 50 (now the Ed Sullivan Theater) in Manhattan.

    The original series was hosted (called the moderator at that time) by veteran radio and television newsman John Charles Daly.  Clifton Fadiman, Eamonn Andrews, and Bennett Cerf substituted on the four occasions Daly was unavailable.
    The show featured a panel of four celebrities who questioned the contestants.  On the initial program of February 2nd, 1950, the panel was former New Jersey governor Harold Hoffman, columnist Dorothy Kilgallen, poet Louis Untermeyer, and psychiatrist Richard Hoffmann.  For the majority of the show’s run the panel consisted of Kilgallen, Random House publisher and co-founder Bennett Cerf, actress Arlene Francis and a fourth guest panelist.  During the show’s earliest period the panel generally consisted of Kilgallen, Francis, Untermeyer and comedy writer Hal Block with Cerf replacing Untermeyer in 1951 and comedian Steve Allen replacing Block in 1953.  Steve Allen left to launch The Tonight Show in 1954 and was replaced by comedian Fred Allen who remained on the panel until his death in 1956.  After Kilgallen’s death in 1965 the two remaining seats on the panel were never filled regularly again.  The most frequent guest panelist was Arlene Francis’ husband Martin Gabel, who appeared 112 times.
    Regular announcers included Lee Vines (1950–1955), Hal Simms (1955–1961), Ralph Paul (1961), and Johnny Olson (1961–1967).

    What’s My Line? was a guessing game in which four panelists attempted to determine the line (occupation), or in the case of a famous “mystery guest,” the identity, of the contestant. Panelists were required to probe by asking only questions which could be answered “yes” or “no”.  A typical episode featured two standard rounds (sometimes a third, and very rarely a fourth) plus one mystery guest round.  On the occasions on which there were two mystery guests, the first would usually appear as the first contestant.

    For the first few seasons, the contestant would first meet the panel up close, for a casual “inspection”, and the panel was allowed one initial “wild guess.”  However, beginning in 1955 Daly simply greeted, then seated the contestant who instead met the panel at the end of the game.  The contestant’s line was then revealed to the studio and television audiences, and Daly would tell the panel whether the contestant was salaried or self-employed, and later in the series, dealt in a product or service.
    A panelist chosen by Daly would begin the game.  If he received a “yes” answer he continued questioning, but if he received a “no,” questioning passed to the next panelist and $5 was added to the prize.  The amount of the prize was tallied by Daly who flipped one of 10 cards on his desk.  A contestant won the top prize of $50 by giving ten “no” answers, or if time ran out, with Daly flipping all the cards.  As Daly occasionally noted, “10 flips and they (the panel) are a flop!”  Daly later explained, after the show had finished its run on CBS, the maximum payout of $50 was to ensure the game was played only for enjoyment, and that there could never be even the appearance of impropriety.  Later in the series, Daly would throw all the cards over with increasing frequency and arbitrariness, evidence the prize was secondary to game play.
    Panelists had the option of passing to the next panelist—or even disqualifying themselves entirely if they somehow immediately knew what the contestant’s occupation was, sometimes by virtue of having seen that contestant before—and they could also request a “conference,” in which they had a short time to openly discuss ideas about occupations or lines of questioning.
    Panelists adopted some basic binary search strategies, beginning with broad questions, such as whether the contestant worked for a profit-making or non-profit organization, or whether the product was alive (in the animal sense), worn, or ingested.  To increase the probability of “yes” answers they would often phrase questions in the negative starting with “Is it something other than…” or “Can I rule out…”
    The show popularized the phrase “Is it bigger than a breadbox?”, first posed by Steve Allen on January 18th, 1953 then refined over subsequent episodes.  Soon, other panelists were asking this question as well.  On one occasion the guest was a man who made breadboxes. It was correctly guessed by Allen after Kilgallen asked “Is it bigger than a breadbox” and Daly could not restrain his laughter.

    The final round of an episode involved blindfolding the panel for a celebrity “mystery guest” (originally called “mystery challengers” by Daly) whom the panel had to identify by name, rather than occupation.  In the early years of the show, the questioning was the same as it was for regular contestants, but starting with the April 17th, 1955 show, panelists were only allowed one question per turn.  Mystery guests usually came from the entertainment world, either stage, screen, television or sports.  When mystery guests came from other walks of life, or non-famous contestants whom the panel but not the studio audience might know, they were usually played as standard rounds.  However, the panel might be blindfolded, or the contestant might sign in simply as “X”, depending on whether he would be known by name or sight.
    Mystery guests would usually attempt to conceal their identities with disguised voices, much to the amusement of the studio audience.  According to Cerf, the panel could often determine the identity of the mystery guest early, as they knew which celebrities were in town, or which major movies or plays were about to open.  On those occasions, to provide the audience an opportunity to see the guest play the game, the cast would typically allow questioning to pass around at least once before coming up with the correct guess.
    Sometimes, two mystery guest rounds were played in an episode, with the additional round usually as the first round of the episode.
    What’s My Line? is known for its attention to manners and class.  In its early years, business suits and street dresses were worn by the host and panelists, but by 1953, the men wore black suits with bow ties (a few guests in fact wore tuxedos) while female panelists donned formal gowns and often gloves.  Exceptions to this dress code were on the broadcasts immediately following the deaths of Fred Allen and Dorothy Kilgallen, in which the male cast members wore straight neckties and the women ordinary dresses instead of evening gowns.

    Often Daly would need to clarify a potentially confusing question, but his penchant for verbose replies often left panelists more confused than before (which Danny Kaye once parodied as a panelist).  On more than one occasion, Daly “led the panel down the garden path” – a favorite phrase used when the panel was misled by an answer.

    To begin a round, Daly would invite the contestant to “come in and sign in, please” which by 1960 evolved to the more familiar “enter and sign in, please.”  The contestant entered by writing his or her name on a small sign-in board.  Daly would then usually ask where the guest lived and, with a woman, if she should be addressed as “Miss” or “Mrs.” Early in the show’s run, the panel was allowed to inspect contestants, studying their hands, or label on their suit or asking them to make a muscle.
    While ostensibly a game show, if there was time, it was also was an opportunity to conduct interviews.  Line’s sister show, I’ve Got a Secret (and later the syndicated version of WML) engaged in the practice of contestants’ demonstrating their talents.  However, despite frequent requests by the panel (particularly Arlene Francis) such demonstrations rarely occurred as according to executive producer Gil Fates, Daly was not fond of this practice.

    After the first four episodes, the show gained its initial sponsor: Stopette spray deodorant made by Jules Montenier, Inc.  This involved featuring the product in the show’s opening, on the front of the panel’s desk, above the sign-in board, and on Daly’s scorecards.  Bennett Cerf explained that Dr. Montenier was ultimately ruined by his refusal to abandon or share sponsorship as the show entered new markets and became too expensive.  After Dr. Montenier sold Stopette to Helene Curtis, the series was sponsored by a variety of companies which were either regular or rotating. Sponsors were accorded the same exposure on the set as Stopette.  Near the end of its run, sponsors would be introduced in the opening title and given commercials during the show, but would not be displayed on the set.
    Unknown to the public, mystery guests were paid $500 as an appearance fee, whether they won or lost the game.  This was in addition to the maximum $50 game winnings, which guests sometimes donated to charity.  Guest panelists were paid $750 as an appearance fee.  The regular panelists were under contract and were paid “much more,” according to Fates. Bennett Cerf explained that when he became a permanent member of the program, he was paid $300 per week, and by the end of the series, they were being paid “scandalous amounts of money.”
    From 1950 to 1966, the game show was broadcast in black-and-white, as was typical of most game shows at the time.  But by 1966, prime-time programs on all three networks started broadcasting in color.  After the show ended in 1967, CBS replaced the color videotapes with the kinescope versions instead for syndication.  As a result of this change, the 1966-1967 episodes of What’s My Line? were only shown in black-and-white after the show ended.

    CBS announced in early 1967 that a number of game shows, including What’s My Line?, were to be canceled at the end of the season.  Bennett Cerf wrote that the network decided that game shows were no longer suitable for prime time, and that the news was broken by the New York Times before anyone involved with the show was notified.
    The 876th and final CBS telecast of What’s My Line? aired on September 3rd, 1967; it was highlighted by clips from past telecasts, a visit by the show’s first contestants, and the final mystery guest, who was John Daly himself.  Daly had always been the emergency mystery guest in case the scheduled guest was unable to appear on the live broadcast, but this had never occurred.  Mark Goodson, Bill Todman and Johnny Olson appeared on-camera as well.
  • Lost in Space – ThrowbackMachine.com

    Lost in Space – ThrowbackMachine.com

    Lost in Space

    Lost in Space is an American science fiction television series created and produced by Irwin Allen, filmed by 20th Century Fox Television, and broadcast on CBS.  The show ran for three seasons, with 83 episodes airing between September 15th, 1965, and March 6th, 1968.

    Though the original television series concept centered on the Robinson family, many later story lines focused primarily on Dr. Zachary Smith, played by Jonathan Harris.  Originally written as an utterly evil but extremely competent would-be saboteur, Smith gradually becomes the troublesome, self-centered, incompetent fool who provides the comic relief for the show and causes most of the episodic conflict and misadventures.

    Smith was not in the un-aired pilot and neither was the robot.  A meteor storm in the un-aired pilot put them off course.  In the first aired episode, Smith’s sabotage and unintended presence caused them to go off course so that they encountered the meteors.  In the un-aired version, they were going at such a relatively slow speed that they wondered if they were on Mars, while in the first aired episode, just seconds of hyper-drive and they were lost, unknown light years from Earth.

     

  • Bonanza – ThrowbackMachine.com

    Bonanza

    We got a right to pick a little fight Bonanza! If anyone fights anyone of us, he’s got a fight with me.  We’re not a one to saddle up and run Bonanza!

    Bonanza is an NBC television western series that ran from September 12th, 1959, to January 16th, 1973.  Lasting 14 seasons and 430 episodes, it ranks as the second longest running western series (behind Gunsmoke), and within the top 10 longest running, live-action American series.  It continues to air in syndication.
    The show centers on the Cartwright family, who live in the area of Virginia City, Nevada, bordering Lake Tahoe.  The series stars Lorne Greene, Pernell Roberts, Dan Blocker, Michael Landon, and later, David Canary.
    The title “Bonanza” is a term used by miners in regard to a large vein or deposit of ore, and commonly refers to The Comstock Lode.  In 2002, Bonanza was ranked No. 43 on TV Guide’s 50 Greatest TV Shows of All Time, and in 2013 TV Guide included it in its list of The 60 Greatest Dramas of All Time.  The time period for the television series is roughly between 1861 (Season 1) to 1867 (Season 13) during and shortly after the American Civil War.
    During the summer of 1972, NBC aired reruns of episodes from the 1967–1970 period in prime time on Sunday evening under the title Ponderosa.
    The show chronicles the weekly adventures of the Cartwright family, headed by the thrice-widowed patriarch “Ben Cartwright” (Lorne Greene).  He had three sons, each by a different wife: the eldest was the urbane architect “Adam Cartwright” (Pernell Roberts) who built the ranch house; the second was the warm and lovable giant Eric “Hoss” Cartwright (Dan Blocker); and the youngest was the hotheaded and impetuous Joseph or “Little Joe” (Michael Landon).  Via exposition (Bonanza, “Rose for Lotta”, premiere September 12, 1959) and flashback episodes, each wife was accorded a different ethnicity: English (Bonanza, “Elizabeth My Love”; episode #65) Swedish (Bonanza, “Inger My Love”, episode #95) and French Creole (Bonanza, “Marie My Love”, episode #120) respectively.  The family’s cook was the Chinese immigrant Hop Sing (Victor Sen Yung).  Greene, Roberts, Blocker, and Landon were billed equally.  The opening credits would alternate the order among the four stars.
    The family lived on a 600,000+ acre (937+ square-mile) ranch called the Ponderosa on the eastern shore of Lake Tahoe in Nevada.  The vast size of the Cartwrights’ land was quietly revised to “half a million acres” on Lorne Greene’s 1964 song, “Saga of the Ponderosa.”   The ranch name refers to the Ponderosa Pine, common in the West.  The nearest town to the Ponderosa was Virginia City, where the Cartwrights would go to converse with Sheriff Roy Coffee (played by veteran actor Ray Teal), or his deputy Clem Foster (Bing Russell).
    Bonanza was considered an atypical western for its time, as the core of the storylines dealt less about the ranch but more with Ben and his three dissimilar sons, how they cared for one another, their neighbors, and just causes.  “You always saw stories about family on comedies or on an anthology, but Bonanza was the first series that was week-to-week about a family and the troubles it went through.  Bonanza was a period drama that attempted to confront contemporary social issues.  That was very difficult to do on television.  Most shows that tried to do it failed because the sponsors didn’t like it, and the networks were nervous about getting letters”, explains Stephen Battaglio, a senior editor for TV Guide magazine (Paulette Cohn, “Bonanza: TV Trailblazer”, American Profile Magazine, p. 12, June 5, 2009).

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  • 1967 Archives – ThrowbackMachine.com

    Gentle Ben

    Gentle Ben

    Ran from September 10th, 1967 to August 31st, 1969, airing a total of 58 episodes in two seasons.  Starring Dennis Weaver and Clint Howard (Opie’s brother) and oh yeah, a 650 lb. black bear.  The adventures of a Florida Everglades Game Warden.   Musician and voice actor Candy Candido provided the voice of Ben.  Dennis […]

    Mission: Impossible

    Mission: Impossible

    This tape will self-destruct in 5 seconds…. Mission: Impossible is an American television series that was created and initially produced by Bruce Geller.  It chronicles the missions of a team of secret government agents known as the Impossible Missions Force (IMF).  In the first season, the team is led by Dan Briggs, played by Steven […]

    Family Affair

    Family Affair

    Family Affair is an American sitcom that aired on CBS from September 12th, 1966 to September 9th, 1971.  The series explored the trials of well-to-do civil engineer and bachelor Bill Davis (Brian Keith) as he attempted to raise his brother’s orphaned children in his luxury New York City apartment.  Davis’ traditional English gentleman’s gentleman, Mr. […]

    The Rat Patrol

    rat patrol

    The Rat Patrol is an American television program that aired on ABC during the 1966–1968 seasons. A total of fifty-eight 30-minute episodes were produced by Mirisch-Rich Television Productions, a subsidiary of United Artists Television, in association with Tom Gries Productions Inc.  Just as The Man From U.N.C.L.E. episode titles included the word “Affair”, all Rat […]

    It’s About Time

    it's about time

    It’s about time, it’s about space, about two men in the strangest place. It’s About Time is an American fantasy/science-fiction comedy TV series that aired on CBS for one season of 26 episodes in 1966–1967.  The series was created by Sherwood Schwartz, and used sets, props and incidental music from Schwartz’s other television series in […]

    The Time Tunnel

    the time tunnel

    The Time Tunnel is a 1966–1967 U.S. color science fiction TV series, written around a theme of time travel adventure. The show was creator-producer Irwin Allen’s third science fiction television series, released by 20th Century Fox and broadcast on ABC. The show ran for one season of 30 episodes. Project Tic-Toc is a top secret […]

    Get Smart

    get smart

    Get Smart is an American comedy television series created by Mel Brooks and Buck Henry that satirizes the secret agent genre.  It ran from September 18th, 1965, to May 15th, 1970. The show stars Don Adams (as Maxwell Smart, Agent 86), Barbara Feldon (as Agent 99), and Edward Platt (as Chief).  Henry said they created […]

    Laredo

    Laredo

    Laredo is an American Western television series that aired on NBC from September 16th, 1965, to April 7th, 1967.  Laredo stars Neville Brand, William Smith, Peter Brown, and Philip Carey as Texas Rangers.  It is set on the Mexican border around Laredo, Texas.  The program was produced by Universal Television. The pilot episode of Laredo […]

    Lost in Space

    lost in space

    Lost in Space is an American science fiction television series created and produced by Irwin Allen, filmed by 20th Century Fox Television, and broadcast on CBS.  The show ran for three seasons, with 83 episodes airing between September 15th, 1965, and March 6th, 1968. Though the original television series concept centered on the Robinson family, […]

    ABC Scope

    ABC Scope

    ABC Scope is a public affairs program that appeared on the ABC television network from 1964–1968, hosted by Howard K. Smith, the future anchor of the ABC Evening News.  News reporters Louis Rukeyser, Frank Reynolds and John Scali also appeared. The program provided its viewer with an in-depth look at the important political, economic and […]

    Gilligan’s Island

    Gilligan's Island

    Gilligan’s Island is an American sitcom created and produced by Sherwood Schwartz and originally produced by United Artists Television.  The situation comedy series featured Bob Denver, Alan Hale, Jr., Jim Backus, Natalie Schafer, Russell Johnson, Tina Louise, and Dawn Wells.  It aired for three seasons on the CBS network from September 26th, 1964, to April […]

    Gomer Pyle, USMC

    Gomer Pyle USMC

    Gomer Pyle, USMC is an American situation comedy that originally aired on CBS from September 25th, 1964, to May 2nd, 1969.  The series was a spin-off of The Andy Griffith Show, and the pilot episode was aired as the season finale of the fourth season of its parent series on May 18th, 1964.  The show […]

    Daniel Boone

    Daniel Boone

    Daniel Boone is an American action-adventure television series starring Fess Parker as Daniel Boone that aired from September 24th, 1964 to September 10th, 1970 on NBC for 165 episodes, and was made by 20th Century Fox Television. Ed Ames co-starred as Mingo, Boone’s Cherokee friend, for the first four seasons of the series.  Albert Salmi […]

    The Man From U.N.C.L.E.

    The Man From U.N.C.L.E.

    The Man from U.N.C.L.E. is an American television series that was broadcast on NBC from September 22nd, 1964, to January 15th, 1968.  It follows the exploits of two secret agents, played by Robert Vaughn and David McCallum, who work for a fictitious secret international espionage and law-enforcement agency called U.N.C.L.E. Originally co-creator Sam Rolfe wanted […]

    12 O’Clock High

    12 O'Clock High

    12 O’Clock High (also known as Twelve O’Clock High) is an American drama series set in World War II.  This TV series originally broadcast on ABC for two-and-one-half seasons from September 18th, 1964, through January 13th, 1967 and was based on the motion picture Twelve O’Clock High (1949).  The series was a co-production of 20th […]

    Bewitched

    Bewitched

    Bewitched is an American TV situation comedy fantasy that was originally broadcast for eight seasons on ABC from 1964 to 1972.  It was created by Sol Saks under executive director Harry Ackerman, and starred actress Elizabeth Montgomery, Dick York (1964–1969), Dick Sargent (1969–1972), Agnes Moorehead, and David White. The show is about a witch who […]

    Peyton Place

    Peyton Place

    Peyton Place is an American prime-time soap opera which aired on ABC in half-hour episodes from September 15th, 1964 to June 2nd, 1969. Based upon the 1956 novel of the same name by Grace Metalious, the series was preceded by a 1957 film adaptation.  A total of 514 episodes were broadcast, in black-and-white from 1964 […]

    Voyage to the Bottom of the Sea

    voyage to the bottom of the sea

    Voyage to the Bottom of the Sea is a 1960s American science fiction television series based on the 1961 film of the same name.  Both were created by Irwin Allen. Voyage to the Bottom of the Sea was the first of Irwin Allen’s four science fiction television series, as well as the longest running.  It […]

    The Andy Griffith Show

    The Andy Griffith Show

    The Andy Griffith Show is an American sitcom first televised on CBS between October 3rd, 1960 and April 1st, 1968.  Andy Griffith portrays the widowed sheriff of the fictional small community of Mayberry, North Carolina.  His life is complicated by an inept, but well-meaning deputy, Barney Fife (Don Knotts), a spinster aunt and housekeeper, Aunt […]

    My Three Sons

    my3sons

    My Three Sons is an American situation comedy.  The series ran from 1960 to 1965 on ABC, and moved to CBS until its end on August 24th, 1972.  My Three Sons chronicles the life of a widower and aeronautical engineer named Steven Douglas (Fred MacMurray), raising his three sons.  The series also starred William Frawley as the boys’ live-in maternal grandfather, Bub.  William Demarest replaced […]

  • The Doris Day Show – ThrowbackMachine.com

    The Doris Day Show – ThrowbackMachine.com

    The Doris Day Show

    The Doris Day Show is an American sitcom that was originally broadcast on the CBS Television network from September 1968 until March 1973, remaining on the air for five seasons and 128 episodes.

    The Doris Day Show was also the title of her radio show which aired from Hollywood in 1952, with “It’s Magic” as the theme song.
    In addition to showcasing Doris Day, the show is remembered for its several abrupt format and cast changes over the course of its five-year run.  The show is also remembered for Day’s statement, in her autobiography Doris Day: Her Own Story (1975), that her husband Martin Melcher had signed her to do the TV series without her knowledge, a fact she only discovered when Melcher died of heart disease on April 20th, 1968.  The TV show premiered on Tuesday, September 24th, 1968.
  • The Man From U.N.C.L.E. – ThrowbackMachine.com

    The Man From U.N.C.L.E.

    The Man from U.N.C.L.E. is an American television series that was broadcast on NBC from September 22nd, 1964, to January 15th, 1968.  It follows the exploits of two secret agents, played by Robert Vaughn and David McCallum, who work for a fictitious secret international espionage and law-enforcement agency called U.N.C.L.E.

    Originally co-creator Sam Rolfe wanted to leave the meaning of U.N.C.L.E. ambiguous so it could be viewed as either referring to “Uncle Sam” or the United Nations.  Concerns by the MGM Legal department about possible New York law violations for using the abbreviation “U.N.” for commercial purposes resulted in the producers clarifying that U.N.C.L.E. was an acronym for the United Network Command for Law and Enforcement.  Each episode of the television show had an “acknowledgement” credit to the U.N.C.L.E. on the end titles.
    The series consisted of 105 episodes originally screened between 1964 and 1968.  It was produced by Arena Productions using the studio facilities of Metro-Goldwyn-Mayer.  The first season was broadcast in black-and-white.
    Ian Fleming contributed to the show’s concepts after being approached by the show’s co-creator, Norman Felton.  The book “The James Bond Films” reveals that Fleming originally proposed two characters, Napoleon Solo and April Dancer (The Girl from U.N.C.L.E.).  At one point, Fleming’s name was to have been associated more conspicuously with the series.  The series’s original proposal was titled, Ian Fleming’s Solo.  Robert Towne, Sherman Yellen, and Harlan Ellison wrote scripts for the series.  Author Michael Avallone, who wrote the first original novelisation based upon the series (see below), is sometimes incorrectly cited as the show’s creator (such as in the January 1967 issue of The Saint Magazine).
    Solo was also originally slated to be the sole focus of the series, but a scene featuring a Russian agent named Illya Kuryakin drew enthusiasm from the show’s early fans, and the two agents were thenceforth permanently paired.
    The series centered on a two-man troubleshooting team working for U.N.C.L.E. (United Network Command for Law and Enforcement): American Napoleon Solo (Robert Vaughn), and Russian Illya Kuryakin (David McCallum).  Leo G. Carroll played Alexander Waverly, the British head of the organization (Number One of Section One).  Barbara Moore joined the cast as regular character Lisa Rogers in the fourth season.
    The series, though fictional, achieved such cultural prominence that its artifacts (props, costumes and documents, and a video clip) can be found in the Ronald Reagan Presidential Library’s exhibit on spies and counterspies.  Similar U.N.C.L.E. exhibits reside in the museums of the Central Intelligence Agency and other US agencies and organizations engaged in gathering intelligence.
    U.N.C.L.E.’s chief adversary was a vast organization known as THRUSH (originally named WASP in the series pilot movie).  The original series never divulged what the acronym THRUSH represented, but in several of the U.N.C.L.E. novels written by David McDaniel, it appears as the Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity, and is described as having been founded by Col. Sebastian Moran after the death of Professor Moriarty at the Reichenbach Falls in the Sherlock Holmes story, “The Final Problem”.
    THRUSH’s aim was to conquer the world.  Napoleon Solo said in “The Green Opal Affair”, “THRUSH believes in the two-party system—the masters and the slaves,” and he stated in the pilot episode “The Vulcan Affair”, THRUSH “kills people the way people kill flies—a reflex action—a flick of the wrist.”  So dangerous was the threat from THRUSH that governments—even those most ideologically opposed, such as the United States and the USSR—had cooperated in the formation and operation of U.N.C.L.E.  Similarly, on those occasions when Solo and Kuryakin held opposing political views, the friction between them in the storyline was held to a minimum.
    Though executive producer Norman Felton and consultant Ian Fleming had conceived the character of Napoleon Solo, it was producer Sam Rolfe that created the U.N.C.L.E. hierarchy.  Unlike nationalistic organizations like the CIA and James Bond’s MI6, U.N.C.L.E. was a global organization of agents from many countries and cultures.  The character of Illya Kuryakin was created by Rolfe as just such an U.N.C.L.E. agent, one from the Soviet Union.
    The creators of the series decided that an innocent character would be featured in each episode, giving the audience someone with whom they could identify.  Despite the series’s many changes over the course of four seasons, this element of “innocence” remained a constant—from a suburban housewife in the pilot, “The Vulcan Affair” (film version: To Trap a Spy) to those kidnapped in the final episode, “The Seven Wonders of the World Affair”.

     

  • Metro-Goldwyn-Mayer Archives – ThrowbackMachine.com

    MGM Parade

    MGM Parade

    MGM Parade is the title of a documentary television series produced by Metro-Goldwyn-Mayer and broadcast by the ABC network during the 1955-56 season on Wednesdays at 8:30pm (E.S.T.), under the alternate sponsorship of American Tobacco (Pall Mall), and General Foods (Instant Maxwell House). Hosted by George Murphy (September 14th, 1955 – March 7th, 1956), Walter Pidgeon (March 14th – May 2nd, 1956) and other MGM stars, the series […]

  • The Jack Benny Program – ThrowbackMachine.com

    The Jack Benny Program

    The Jack Benny Program, starring Jack Benny, is a radio-TV comedy series that ran for more than three decades and is generally regarded as a high-water mark in 20th-century American comedy.

    Jack Benny made his TV debut in the 1949 season.  There is a kinescope of his later November 1949 TV appearance on the intermittent Jack Benny Program special appearances of the time.  Benny ran shorter runs in his early seasons on TV into the early 1950s, as he was still firmly dedicated to radio.  The regular and continuing Jack Benny Program was telecast on CBS from October 28th, 1950, to September 15th, 1964, and on NBC from September 25th, 1964, to September 10th, 1965.  343 episodes were produced. His TV sponsors included American Tobacco’s Lucky Strike (1950–59), Lever Brothers’ Lux(1959–60), State Farm Insurance (1960–65), Lipton Tea (1960–62), General Foods’ Jell-O (1962–64), and Miles Laboratories (1964–65).

    The television show was a seamless continuation of Benny’s radio program, employing many of the same players, the same approach to situation comedy and some of the same scripts.  The suffix “Program” instead of “Show” was also a carryover from radio, where “program” rather than “show” was used frequently for presentations in the non-visual medium.  Occasionally, in several live episodes, the title card read, “The Jack Benny Show.”  During one live episode, both titles were used.

    The Jack Benny Program appeared infrequently during its first two years on CBS TV.  Benny moved into television slowly: in his first season (1950–1951), he only performed on four shows, but by the 1951-1952 season, he was ready to do one show approximately every six weeks.  In the third season (1952–1953), the show was broadcast every four weeks.  During the 1953-1954 season,  The Jack Benny Program aired every three weeks.   From 1954-1960, the program aired every other week, rotating with such shows as Private Secretary and Bachelor Father.  Beginning in the 1960-1961 season, The Jack Benny Program began airing every week.  It is also worth noting that the show moved from CBS to NBC prior to the 1964-65 season.  During the 1953-54 season, a handful of episodes were filmed during the summer and the others were live, a schedule which allowed Benny to continue doing his radio show.  In the 1953-1954 season, Dennis Day had his own short-lived comedy and variety show on NBC, The Dennis Day Show.

    The Jack Benny Program was shot in Hollywood at Desilu Studios with an audience brought in to watch the finished film for live responses.  Benny’s opening and closing monologues were always filmed in front of a live audience.  However, from the late 1950s until the last season on NBC, a laugh and applause track was also used for “sweetening” the audience reactions.

    In Jim Bishop’s book A Day in the Life of President Kennedy, John F. Kennedy said that he was too busy to watch most television but that he made the time to watch The Jack Benny Program each week.