Category: Uncategorized

  • 1974 Archives – ThrowbackMachine.com

    Room 222

    Room 222

    Room 222 is an American comedy-drama television series produced by 20th Century Fox Television.  The series aired on ABC for 112 episodes from September 17th, 1969 until January 11th, 1974. The series focused on an American history class at the fictional Walt Whitman High School in Los Angeles, California, although it also depicted other events […]

    Adam-12

    Adam-12

    Adam-12 is a television police drama that followed two police officers of the Los Angeles Police Department (LAPD), Pete Malloy and Jim Reed, as they rode the streets of Los Angeles in their patrol unit, 1-Adam-12.  Created by R. A. Cinader and Jack Webb, who is known for creating Dragnet, the series captured a typical […]

    Gunsmoke

    Gunsmoke

    Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston.  The stories take place in and around Dodge City, Kansas, during the settlement of the American West.  The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. […]

    Disneyland

    Disneyland tv show

    The first incarnation of the Walt Disney anthology television series, commonly called The Wonderful World of Disney, premiered on ABC on Wednesday night, October 27th, 1954 under the name Disneyland.  The same basic show has since appeared on several networks under a variety of titles.  Originally hosted by Walt Disney himself, the series presented animated cartoons and other material (some […]

    Name That Tune

    Name That Tune

    Name That Tune is an American television game show that put two contestants against each other to test their knowledge of songs.  Premiering in the United States on NBC Radio in 1952, the show was created and produced by Harry Salter and his wife Roberta.  Name That Tune ran from 1953 to 1959 on NBC and CBS in prime time. The first hosts were Red Benson […]

    Masquerade Party

    Masquerade Party

    Masquerade Party is an American television game show.  During its original run from 1952–1960, the show appeared at various times on all three major networks except DuMont (ABC, NBC, and CBS).  A syndicated revival was produced for one season in 1974-75. A panel of celebrities met with another celebrity that was in heavy make-up and/or costume; this disguise would always […]

    Your Hit Parade

    Your Hit Parade

    Your Hit Parade is an American radio and television music program that was broadcast from 1935 to 1955 on radio, and seen from 1950 to 1959 on television.  It was sponsored by American Tobacco’s Lucky Strike cigarettes. André Baruch continued as the announcer when the program arrived on NBC television in summer 1950 (Del Sharbutt […]

  • What’s My Line – ThrowbackMachine.com

    What’s My Line – ThrowbackMachine.com

    What’s My Line

    What’s My Line? is a panel game show which originally ran in the United States on the CBS Television Network from 1950 to 1967, with several international versions and subsequent U.S. revivals.  The game tasks celebrity panelists with questioning contestants in order to determine their occupations.  It is the longest-running U.S. primetime network television game-show.  Moderated by John Charles Daly and with panelists Dorothy Kilgallen, Arlene Francis, and Bennett Cerf, What’s My Line? won three Emmy Awards for “Best Quiz or Audience Participation Show” in 1952, 1953, and 1958 and the Golden Globe for Best TV Show in 1962.

    Produced by Mark Goodson and Bill Todman for CBS Television, the show was initially called Occupation Unknown before deciding on the name What’s My Line?.  The original series, which was usually broadcast live, debuted on Thursday February 2nd, 1950 at 8:00 p.m. ET.  After airing alternate Wednesdays, then alternate Thursdays, finally on October 1st, 1950, it had settled into its weekly Sunday 10:30 p.m. ET slot where it would remain until the end of its network run on September 3rd, 1967.  The show was produced at CBS Studio 52 and, towards the end of its run, at CBS’ Studio 50 (now the Ed Sullivan Theater) in Manhattan.

    The original series was hosted (called the moderator at that time) by veteran radio and television newsman John Charles Daly.  Clifton Fadiman, Eamonn Andrews, and Bennett Cerf substituted on the four occasions Daly was unavailable.
    The show featured a panel of four celebrities who questioned the contestants.  On the initial program of February 2nd, 1950, the panel was former New Jersey governor Harold Hoffman, columnist Dorothy Kilgallen, poet Louis Untermeyer, and psychiatrist Richard Hoffmann.  For the majority of the show’s run the panel consisted of Kilgallen, Random House publisher and co-founder Bennett Cerf, actress Arlene Francis and a fourth guest panelist.  During the show’s earliest period the panel generally consisted of Kilgallen, Francis, Untermeyer and comedy writer Hal Block with Cerf replacing Untermeyer in 1951 and comedian Steve Allen replacing Block in 1953.  Steve Allen left to launch The Tonight Show in 1954 and was replaced by comedian Fred Allen who remained on the panel until his death in 1956.  After Kilgallen’s death in 1965 the two remaining seats on the panel were never filled regularly again.  The most frequent guest panelist was Arlene Francis’ husband Martin Gabel, who appeared 112 times.
    Regular announcers included Lee Vines (1950–1955), Hal Simms (1955–1961), Ralph Paul (1961), and Johnny Olson (1961–1967).

    What’s My Line? was a guessing game in which four panelists attempted to determine the line (occupation), or in the case of a famous “mystery guest,” the identity, of the contestant. Panelists were required to probe by asking only questions which could be answered “yes” or “no”.  A typical episode featured two standard rounds (sometimes a third, and very rarely a fourth) plus one mystery guest round.  On the occasions on which there were two mystery guests, the first would usually appear as the first contestant.

    For the first few seasons, the contestant would first meet the panel up close, for a casual “inspection”, and the panel was allowed one initial “wild guess.”  However, beginning in 1955 Daly simply greeted, then seated the contestant who instead met the panel at the end of the game.  The contestant’s line was then revealed to the studio and television audiences, and Daly would tell the panel whether the contestant was salaried or self-employed, and later in the series, dealt in a product or service.
    A panelist chosen by Daly would begin the game.  If he received a “yes” answer he continued questioning, but if he received a “no,” questioning passed to the next panelist and $5 was added to the prize.  The amount of the prize was tallied by Daly who flipped one of 10 cards on his desk.  A contestant won the top prize of $50 by giving ten “no” answers, or if time ran out, with Daly flipping all the cards.  As Daly occasionally noted, “10 flips and they (the panel) are a flop!”  Daly later explained, after the show had finished its run on CBS, the maximum payout of $50 was to ensure the game was played only for enjoyment, and that there could never be even the appearance of impropriety.  Later in the series, Daly would throw all the cards over with increasing frequency and arbitrariness, evidence the prize was secondary to game play.
    Panelists had the option of passing to the next panelist—or even disqualifying themselves entirely if they somehow immediately knew what the contestant’s occupation was, sometimes by virtue of having seen that contestant before—and they could also request a “conference,” in which they had a short time to openly discuss ideas about occupations or lines of questioning.
    Panelists adopted some basic binary search strategies, beginning with broad questions, such as whether the contestant worked for a profit-making or non-profit organization, or whether the product was alive (in the animal sense), worn, or ingested.  To increase the probability of “yes” answers they would often phrase questions in the negative starting with “Is it something other than…” or “Can I rule out…”
    The show popularized the phrase “Is it bigger than a breadbox?”, first posed by Steve Allen on January 18th, 1953 then refined over subsequent episodes.  Soon, other panelists were asking this question as well.  On one occasion the guest was a man who made breadboxes. It was correctly guessed by Allen after Kilgallen asked “Is it bigger than a breadbox” and Daly could not restrain his laughter.

    The final round of an episode involved blindfolding the panel for a celebrity “mystery guest” (originally called “mystery challengers” by Daly) whom the panel had to identify by name, rather than occupation.  In the early years of the show, the questioning was the same as it was for regular contestants, but starting with the April 17th, 1955 show, panelists were only allowed one question per turn.  Mystery guests usually came from the entertainment world, either stage, screen, television or sports.  When mystery guests came from other walks of life, or non-famous contestants whom the panel but not the studio audience might know, they were usually played as standard rounds.  However, the panel might be blindfolded, or the contestant might sign in simply as “X”, depending on whether he would be known by name or sight.
    Mystery guests would usually attempt to conceal their identities with disguised voices, much to the amusement of the studio audience.  According to Cerf, the panel could often determine the identity of the mystery guest early, as they knew which celebrities were in town, or which major movies or plays were about to open.  On those occasions, to provide the audience an opportunity to see the guest play the game, the cast would typically allow questioning to pass around at least once before coming up with the correct guess.
    Sometimes, two mystery guest rounds were played in an episode, with the additional round usually as the first round of the episode.
    What’s My Line? is known for its attention to manners and class.  In its early years, business suits and street dresses were worn by the host and panelists, but by 1953, the men wore black suits with bow ties (a few guests in fact wore tuxedos) while female panelists donned formal gowns and often gloves.  Exceptions to this dress code were on the broadcasts immediately following the deaths of Fred Allen and Dorothy Kilgallen, in which the male cast members wore straight neckties and the women ordinary dresses instead of evening gowns.

    Often Daly would need to clarify a potentially confusing question, but his penchant for verbose replies often left panelists more confused than before (which Danny Kaye once parodied as a panelist).  On more than one occasion, Daly “led the panel down the garden path” – a favorite phrase used when the panel was misled by an answer.

    To begin a round, Daly would invite the contestant to “come in and sign in, please” which by 1960 evolved to the more familiar “enter and sign in, please.”  The contestant entered by writing his or her name on a small sign-in board.  Daly would then usually ask where the guest lived and, with a woman, if she should be addressed as “Miss” or “Mrs.” Early in the show’s run, the panel was allowed to inspect contestants, studying their hands, or label on their suit or asking them to make a muscle.
    While ostensibly a game show, if there was time, it was also was an opportunity to conduct interviews.  Line’s sister show, I’ve Got a Secret (and later the syndicated version of WML) engaged in the practice of contestants’ demonstrating their talents.  However, despite frequent requests by the panel (particularly Arlene Francis) such demonstrations rarely occurred as according to executive producer Gil Fates, Daly was not fond of this practice.

    After the first four episodes, the show gained its initial sponsor: Stopette spray deodorant made by Jules Montenier, Inc.  This involved featuring the product in the show’s opening, on the front of the panel’s desk, above the sign-in board, and on Daly’s scorecards.  Bennett Cerf explained that Dr. Montenier was ultimately ruined by his refusal to abandon or share sponsorship as the show entered new markets and became too expensive.  After Dr. Montenier sold Stopette to Helene Curtis, the series was sponsored by a variety of companies which were either regular or rotating. Sponsors were accorded the same exposure on the set as Stopette.  Near the end of its run, sponsors would be introduced in the opening title and given commercials during the show, but would not be displayed on the set.
    Unknown to the public, mystery guests were paid $500 as an appearance fee, whether they won or lost the game.  This was in addition to the maximum $50 game winnings, which guests sometimes donated to charity.  Guest panelists were paid $750 as an appearance fee.  The regular panelists were under contract and were paid “much more,” according to Fates. Bennett Cerf explained that when he became a permanent member of the program, he was paid $300 per week, and by the end of the series, they were being paid “scandalous amounts of money.”
    From 1950 to 1966, the game show was broadcast in black-and-white, as was typical of most game shows at the time.  But by 1966, prime-time programs on all three networks started broadcasting in color.  After the show ended in 1967, CBS replaced the color videotapes with the kinescope versions instead for syndication.  As a result of this change, the 1966-1967 episodes of What’s My Line? were only shown in black-and-white after the show ended.

    CBS announced in early 1967 that a number of game shows, including What’s My Line?, were to be canceled at the end of the season.  Bennett Cerf wrote that the network decided that game shows were no longer suitable for prime time, and that the news was broken by the New York Times before anyone involved with the show was notified.
    The 876th and final CBS telecast of What’s My Line? aired on September 3rd, 1967; it was highlighted by clips from past telecasts, a visit by the show’s first contestants, and the final mystery guest, who was John Daly himself.  Daly had always been the emergency mystery guest in case the scheduled guest was unable to appear on the live broadcast, but this had never occurred.  Mark Goodson, Bill Todman and Johnny Olson appeared on-camera as well.
  • Lost in Space – ThrowbackMachine.com

    Lost in Space – ThrowbackMachine.com

    Lost in Space

    Lost in Space is an American science fiction television series created and produced by Irwin Allen, filmed by 20th Century Fox Television, and broadcast on CBS.  The show ran for three seasons, with 83 episodes airing between September 15th, 1965, and March 6th, 1968.

    Though the original television series concept centered on the Robinson family, many later story lines focused primarily on Dr. Zachary Smith, played by Jonathan Harris.  Originally written as an utterly evil but extremely competent would-be saboteur, Smith gradually becomes the troublesome, self-centered, incompetent fool who provides the comic relief for the show and causes most of the episodic conflict and misadventures.

    Smith was not in the un-aired pilot and neither was the robot.  A meteor storm in the un-aired pilot put them off course.  In the first aired episode, Smith’s sabotage and unintended presence caused them to go off course so that they encountered the meteors.  In the un-aired version, they were going at such a relatively slow speed that they wondered if they were on Mars, while in the first aired episode, just seconds of hyper-drive and they were lost, unknown light years from Earth.

     

  • Bonanza – ThrowbackMachine.com

    Bonanza

    We got a right to pick a little fight Bonanza! If anyone fights anyone of us, he’s got a fight with me.  We’re not a one to saddle up and run Bonanza!

    Bonanza is an NBC television western series that ran from September 12th, 1959, to January 16th, 1973.  Lasting 14 seasons and 430 episodes, it ranks as the second longest running western series (behind Gunsmoke), and within the top 10 longest running, live-action American series.  It continues to air in syndication.
    The show centers on the Cartwright family, who live in the area of Virginia City, Nevada, bordering Lake Tahoe.  The series stars Lorne Greene, Pernell Roberts, Dan Blocker, Michael Landon, and later, David Canary.
    The title “Bonanza” is a term used by miners in regard to a large vein or deposit of ore, and commonly refers to The Comstock Lode.  In 2002, Bonanza was ranked No. 43 on TV Guide’s 50 Greatest TV Shows of All Time, and in 2013 TV Guide included it in its list of The 60 Greatest Dramas of All Time.  The time period for the television series is roughly between 1861 (Season 1) to 1867 (Season 13) during and shortly after the American Civil War.
    During the summer of 1972, NBC aired reruns of episodes from the 1967–1970 period in prime time on Sunday evening under the title Ponderosa.
    The show chronicles the weekly adventures of the Cartwright family, headed by the thrice-widowed patriarch “Ben Cartwright” (Lorne Greene).  He had three sons, each by a different wife: the eldest was the urbane architect “Adam Cartwright” (Pernell Roberts) who built the ranch house; the second was the warm and lovable giant Eric “Hoss” Cartwright (Dan Blocker); and the youngest was the hotheaded and impetuous Joseph or “Little Joe” (Michael Landon).  Via exposition (Bonanza, “Rose for Lotta”, premiere September 12, 1959) and flashback episodes, each wife was accorded a different ethnicity: English (Bonanza, “Elizabeth My Love”; episode #65) Swedish (Bonanza, “Inger My Love”, episode #95) and French Creole (Bonanza, “Marie My Love”, episode #120) respectively.  The family’s cook was the Chinese immigrant Hop Sing (Victor Sen Yung).  Greene, Roberts, Blocker, and Landon were billed equally.  The opening credits would alternate the order among the four stars.
    The family lived on a 600,000+ acre (937+ square-mile) ranch called the Ponderosa on the eastern shore of Lake Tahoe in Nevada.  The vast size of the Cartwrights’ land was quietly revised to “half a million acres” on Lorne Greene’s 1964 song, “Saga of the Ponderosa.”   The ranch name refers to the Ponderosa Pine, common in the West.  The nearest town to the Ponderosa was Virginia City, where the Cartwrights would go to converse with Sheriff Roy Coffee (played by veteran actor Ray Teal), or his deputy Clem Foster (Bing Russell).
    Bonanza was considered an atypical western for its time, as the core of the storylines dealt less about the ranch but more with Ben and his three dissimilar sons, how they cared for one another, their neighbors, and just causes.  “You always saw stories about family on comedies or on an anthology, but Bonanza was the first series that was week-to-week about a family and the troubles it went through.  Bonanza was a period drama that attempted to confront contemporary social issues.  That was very difficult to do on television.  Most shows that tried to do it failed because the sponsors didn’t like it, and the networks were nervous about getting letters”, explains Stephen Battaglio, a senior editor for TV Guide magazine (Paulette Cohn, “Bonanza: TV Trailblazer”, American Profile Magazine, p. 12, June 5, 2009).

  • The Man From U.N.C.L.E. – ThrowbackMachine.com

    The Man From U.N.C.L.E.

    The Man from U.N.C.L.E. is an American television series that was broadcast on NBC from September 22nd, 1964, to January 15th, 1968.  It follows the exploits of two secret agents, played by Robert Vaughn and David McCallum, who work for a fictitious secret international espionage and law-enforcement agency called U.N.C.L.E.

    Originally co-creator Sam Rolfe wanted to leave the meaning of U.N.C.L.E. ambiguous so it could be viewed as either referring to “Uncle Sam” or the United Nations.  Concerns by the MGM Legal department about possible New York law violations for using the abbreviation “U.N.” for commercial purposes resulted in the producers clarifying that U.N.C.L.E. was an acronym for the United Network Command for Law and Enforcement.  Each episode of the television show had an “acknowledgement” credit to the U.N.C.L.E. on the end titles.
    The series consisted of 105 episodes originally screened between 1964 and 1968.  It was produced by Arena Productions using the studio facilities of Metro-Goldwyn-Mayer.  The first season was broadcast in black-and-white.
    Ian Fleming contributed to the show’s concepts after being approached by the show’s co-creator, Norman Felton.  The book “The James Bond Films” reveals that Fleming originally proposed two characters, Napoleon Solo and April Dancer (The Girl from U.N.C.L.E.).  At one point, Fleming’s name was to have been associated more conspicuously with the series.  The series’s original proposal was titled, Ian Fleming’s Solo.  Robert Towne, Sherman Yellen, and Harlan Ellison wrote scripts for the series.  Author Michael Avallone, who wrote the first original novelisation based upon the series (see below), is sometimes incorrectly cited as the show’s creator (such as in the January 1967 issue of The Saint Magazine).
    Solo was also originally slated to be the sole focus of the series, but a scene featuring a Russian agent named Illya Kuryakin drew enthusiasm from the show’s early fans, and the two agents were thenceforth permanently paired.
    The series centered on a two-man troubleshooting team working for U.N.C.L.E. (United Network Command for Law and Enforcement): American Napoleon Solo (Robert Vaughn), and Russian Illya Kuryakin (David McCallum).  Leo G. Carroll played Alexander Waverly, the British head of the organization (Number One of Section One).  Barbara Moore joined the cast as regular character Lisa Rogers in the fourth season.
    The series, though fictional, achieved such cultural prominence that its artifacts (props, costumes and documents, and a video clip) can be found in the Ronald Reagan Presidential Library’s exhibit on spies and counterspies.  Similar U.N.C.L.E. exhibits reside in the museums of the Central Intelligence Agency and other US agencies and organizations engaged in gathering intelligence.
    U.N.C.L.E.’s chief adversary was a vast organization known as THRUSH (originally named WASP in the series pilot movie).  The original series never divulged what the acronym THRUSH represented, but in several of the U.N.C.L.E. novels written by David McDaniel, it appears as the Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity, and is described as having been founded by Col. Sebastian Moran after the death of Professor Moriarty at the Reichenbach Falls in the Sherlock Holmes story, “The Final Problem”.
    THRUSH’s aim was to conquer the world.  Napoleon Solo said in “The Green Opal Affair”, “THRUSH believes in the two-party system—the masters and the slaves,” and he stated in the pilot episode “The Vulcan Affair”, THRUSH “kills people the way people kill flies—a reflex action—a flick of the wrist.”  So dangerous was the threat from THRUSH that governments—even those most ideologically opposed, such as the United States and the USSR—had cooperated in the formation and operation of U.N.C.L.E.  Similarly, on those occasions when Solo and Kuryakin held opposing political views, the friction between them in the storyline was held to a minimum.
    Though executive producer Norman Felton and consultant Ian Fleming had conceived the character of Napoleon Solo, it was producer Sam Rolfe that created the U.N.C.L.E. hierarchy.  Unlike nationalistic organizations like the CIA and James Bond’s MI6, U.N.C.L.E. was a global organization of agents from many countries and cultures.  The character of Illya Kuryakin was created by Rolfe as just such an U.N.C.L.E. agent, one from the Soviet Union.
    The creators of the series decided that an innocent character would be featured in each episode, giving the audience someone with whom they could identify.  Despite the series’s many changes over the course of four seasons, this element of “innocence” remained a constant—from a suburban housewife in the pilot, “The Vulcan Affair” (film version: To Trap a Spy) to those kidnapped in the final episode, “The Seven Wonders of the World Affair”.

     

  • 1960s – ThrowbackMachine.com

    1960s

    1960s

    At the beginning of the 1960s, many Americans believed they were standing at the dawn of a golden age. On January 20, 1961, the handsome and charismatic John F. Kennedy became president of the United States. His confidence that, as one historian put it, “the government possessed big answers to big problems” seemed to set the tone for the rest of the decade. However, that golden age never materialized. On the contrary, by the end of the 1960s it seemed that the nation was falling apart.

    Popular Culture

    The counterculture movement dominated the second half of the 1960s, its most famous moments being the Summer of Love in San Francisco in 1967, and the Woodstock Festival in upstate New York in 1969.  Psychedelic drugs, especially LSD, were widely used medicinally and spiritually as well as recreational throughout the late 1960s, and were popularized by Timothy Leary with his slogan “Turn on, tune in, drop out.”   Ken Kesey and the Merry Pranksters also played a part in the role of “turning heads on.”  Psychedelic influenced the music, artwork and films of the decade, and a number of prominent musicians died of drug overdoses (27 Club).  There was a growing interest in Eastern religions and philosophy, and many attempts were made to found communes, which varied from supporting free love to religious puritanism.

     

    Music

    Beatles in America
    British Invasion: The Beatles arrive at John F. Kennedy International Airport, February 7th, 1964″
     The 60′s were a leap in human consciousness.  Mahatma Gandhi, Malcolm X, Martin Luther King, Che Guevara, Mother Teresa, they led a revolution of conscience.  The Beatles, The Doors, Jimi Hendrix created revolution and evolution themes.  The music was like Dalí, with many colors and revolutionary ways.  The youth of today must go there to find themselves.”  – Carlos Santana
    Popular music entered an era of “all hits”, as numerous artists released recordings, beginning in the 1950s, as 45-rpm “singles” (with another on the flip side), and radio stations tended to play only the most popular of the wide variety of records being made.  Also, bands tended to record only the best of their songs as a chance to become a hit record.  The taste of the American listeners expanded from the folksinger, doo-wop and saxophone sounds of the 1950s to the Motown sound, folk rock and the British Invasion led by The Beatles in 1964.  The Los Angeles and San Francisco Sound began in this period with many popular bands coming out of LA and the Haight-Ashbury district, well known for its hippie culture.  The rise of the counterculture movement, particularly among the youth, created a market for rock, soul, pop, reggae and blues music.

    Significant events in music in the 1960s:

    • Elvis Presley returned to civilian life in the U.S. after two years away in the U.S. Army.  He resumes his musical career by recording “It’s Now or Never” and “Are You Lonesome Tonight?” in March 1960.
    • Motown Record Corporation was founded in 1960.  Its first Top Ten hit was “Shop Around” by the Miracles in 1960.  “Shop Around” peaked at number-two on the Billboard Hot 100, and was Motown’s first million-selling record.
    • Folksinger and activist Joan Baez released her debut album on Vanguard Records in December 1960.
    • The Marvelettes scored Motown Record Corporation’s first US #1 pop hit, “Please Mr. Postman” in 1961.  Motown would score 110 Billboard Top-Ten hits during its run.
    • The Four Seasons released three straight number one hits.
    • In a widely anticipated and publicized event, the Beatles arrive in America in February 1964, spearheading the British Invasion.
    • The Mary Poppins Original Soundtrack tops record charts.  Sherman Brothers receive Grammys and double Oscars.
    • First week of June, 1963, Lesley Gore at the age of 17 hits Number one on Billboard with “It’s My Party” and in January 1964 with the Number 2 hit “You Don’t Own Me” behind the Beatles “I Want To Hold Your Hand.”
    • The Supremes scored twelve number-one hit singles between 1964 and 1969, beginning with “Where Did Our Love Go”.
    • The Kinks release “You Really Got Me” in late 1964, which tops the British charts; it is regarded as the first hard rock hit and a blueprint for related genres, such as heavy metal.
    • John Coltrane released A Love Supreme in late 1964, considered among the most acclaimed jazz albums of the era.
    • The Grateful Dead was formed in 1965 (originally The Warlocks) thus paving the way, giving birth to acid rock.
    • Bob Dylan went electric at the 1965 Newport Folk Festival.
    • Cilla Black’s number-one hit “Anyone Who had a Heart” still remains the top-selling single by a female artist in the UK from 1964.
    • The Rolling Stones had a huge #1 hit with their song “(I Can’t Get No) Satisfaction” in the summer of 1965.
    • The Byrds released a cover of Bob Dylan’s “Mr. Tambourine Man”, which reached #1 on the U.S. charts and repeated the feat in the U.K. shortly thereafter.  The extremely influential track effectively creates the musical sub genre of folk rock.
    • Bob Dylan’s “Like a Rolling Stone” is a top-five hit on both sides of the Atlantic during the summer of 1965.
    • Bob Dylan’s 1965 albums Bringing It All Back Home and Highway 61 Revisited ushered in album-focused rock and the “folk rock” genre.
    • Simon and Garfunkel released “The Sound of Silence” single in 1965.
    • The Beach Boys released Pet Sounds in 1966, which significantly influenced the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album released the following year.
    • Bob Dylan was called “Judas” by an audience member during the Manchester Free Trade Hall concert, the start of the bootleg recording industry follows, with recordings of this concert circulating for 30 years – wrongly labeled as – The Royal Albert Hall Concert before a legitimate release in 1998 as The Bootleg Series Vol. 4: Bob Dylan Live 1966, The “Royal Albert Hall” Concert.
    • In February 1966, Nancy Sinatra’s song “These Boots Are Made for Walkin’” became very popular.
    • In 1966, The Supremes A’ Go-Go was the first album by a female group to reach the top position of the Billboard magazine pop albums chart in the United States.
    • The Seekers were the first Australian Group to have a number one with “Georgy Girl” in 1966.
    • Jefferson Airplane released the influential Surrealistic Pillow in 1967.
    • The Velvet Underground released its self-titled debut album The Velvet Underground & Nico in 1967.
    • The Doors released its self-titled debut album The Doors’  in January 1967.
    • Love released Forever Changes in 1967.
    • The Procol Harum released A Whiter Shade Of Pale in 1967.
    • Cream (band) released “Disraeli Gears” in 1967.
    Jimi Hendrix Experience
    •  The Jimi Hendrix Experience released two successful albums during 1967 Are You Experienced and Axis: Bold as Love that innovate both guitar, trio and recording techniques.
    • The Beatles released Sgt. Pepper’s Lonely Hearts Club Band in June 1967.
    • The Moody Blues released the album Days of Future Passed in November 1967.
    • R & B legend Otis Redding has his first No. 1 hit with the legendary Sitting on the Dock of the Bay.  He also played at the Monterey Pop Festival in 1967 just before he died in a plane crash.
    • Pink Floyd released its debut record The Piper at the Gates of Dawn.
    • Bob Dylan released the Country rock album John Wesley Harding in December 1967.
    • The Bee Gees released their international debut album Bee Gees 1st in July 1967 which included the pop standard “To Love Somebody”.
    • The Monterey Pop Festival in 1967 was the beginning of the so-called “Summer of Love”.
    • Johnny Cash released At Folsom Prison in 1968.
    • 1968: after The Yardbirds fold, Led Zeppelin was formed by Jimmy Page and manager Peter Grant, with Robert Plant, John Bonham and John Paul Jones; and, released their debut album Led Zeppelin.
    • The Band released the roots rock album Music from Big Pink in 1968.
    • Big Brother and the Holding Company, with Janis Joplin as lead singer, became an overnight sensation after their performance at the Monterey Pop Festival in 1967 and released their second album Cheap Thrills in 1968.
    • Gram Parsons with The Byrds released the extremely influential LP Sweetheart of the Rodeo in late 1968, forming the basis for country rock.
    • The Jimi Hendrix Experience released the highly influential double LP Electric Ladyland in 1968 that furthered the guitar and studio innovations of his previous two albums.
    • Simon and Garfunkel released the single “Mrs. Robinson” in 1968; featured in the film “The Graduate”.
    Woodstock Festival, 1969woodstock
    • Sly & the Family Stone revolutionized black music with their massive 1968 hit single “Dance to the Music” and by 1969 became international sensations with the release of their hit record Stand!.  The band cemented their position as a vital counterculture band when they performed at the Woodstock Festival.
    • The Gun released “Race with the Devil” in October 1968.
    • The Rolling Stones filmed the TV special The Rolling Stones Rock and Roll Circus in December 1968 but the film was not released for transmission.  Considered for decades as a fabled “lost” performance until released in North America on Laserdisc and VHS in 1996. Features performances from The Who; The Dirty Mac featuring John Lennon, Eric Clapton and Mitch Mitchell; Jethro Tull and Taj Mahal.
    • The Woodstock Festival, and four months later, the Altamont Free Concert in 1969.
    • The Who released and toured the first rock opera Tommy in 1969.
    • Proto-punk band MC5 released the live album Kick Out the Jams in 1969.
    • Captain Beefheart and his Magic Band released the avant garde Trout Mask Replica in 1969.
    • The Stooges released their debut album in 1969.
    • The Flying Burrito Brothers released their influential debut The Gilded Palace of Sin in 1969.
    • King Crimson released their debut album In the Court of the Crimson King in 1969.

    Film

    The highest-grossing film of the decade was 20th Century Fox’s The Sound of Music (1965).
    Some of Hollywood’s most notable blockbuster films of the 1960s include:
    • 2001: A Space Odyssey
    • The Birds
    • Bonnie and Clyde
    • Breakfast at Tiffany’s
    • Butch Cassidy and the Sundance Kid
    • Carnival of Souls
    • Cool Hand Luke
    • The Dirty Dozen
    • Doctor Zhivago
    • Dr. Strangelove
    • Easy Rider
    • Faces
    • The Graduate
    • Guess Who’s Coming to Dinner
    • Head
    • The Hustler
    • Ice Station Zebra
    • In the Heat of the Night
    • The Jungle Book
    • Lawrence of Arabia
    • The Lion In Winter
    • Mary Poppins
    • Medium Cool
    • Midnight Cowboy
    • Night of the Living Dead
    • The Pink Panther
    • Planet of the Apes
    • Psycho
    • Rosemary’s Baby
    • The Sound of Music
    • Spartacus
    • The Wild Bunch
    The counterculture movement had a significant effect on cinema.  Movies began to break social taboos such as sex and violence causing both controversy and fascination.  They turned increasingly dramatic, unbalanced, and hectic as the cultural revolution was starting.  This was the beginning of the New Hollywood era that dominated the next decade in theatres and revolutionized the film industry.  Films of this time also focused on the changes happening in the world.  Dennis Hopper’s Easy Rider (1969) focused on the drug culture of the time.  Movies also became more sexually explicit, such as Roger Vadim’s Barbarella (1968) as the counterculture progressed.
    The Spaghetti Western genre was a direct outgrowth of the Kurosawa films.  The influence of these films is most apparent in Sergio Leone’s A Fistful of Dollars (1964) starring Clint Eastwood and Walter Hill’s Last Man Standing (1996).  Yojimbo was also the origin of the “Man with No Name” trend which included Sergio Leone’s For a Few Dollars More, and The Good, The Bad and The Ugly both also starring Clint Eastwood, and arguably continued through his 1968 opus Once Upon a Time in the West, starring Henry Fonda, Charles Bronson, Claudia Cardinale, and Jason Robards. The Magnificent Seven a 1960 American western film directed by John Sturges was a remake of Akira Kurosawa’s 1954 film, Seven Samurai.
    The 1960s were also about experimentation. With the explosion of light-weight and affordable cameras, the underground avant-garde film movement thrived. Canada’s Michael Snow, Americans Kenneth Anger, Stan Brakhage, Andy Warhol, and Jack Smith.  Notable films in this genre are: Dog Star Man; Scorpio Rising; Wavelength; Chelsea Girls; Blow Job; Vinyl; Flaming Creatures.

    Significant events in the film industry in the 1960s:

    • Removal of the Motion Picture Association of America’s Production Code in 1967.
    • The decline and end of the Studio System.
    • The rise of ‘art house’ films and theaters.
    • The end of the classical Hollywood cinema era.
    • The beginning of the New Hollywood Era due to the counterculture.
    • The rise of independent producers that worked outside of the Studio System.
    • Move to all-color production in Hollywood films.
    • The invention of the Nagra 1/4″, sync-sound, portable open-reel tape deck.
    • Expo 67 where new film formats like Imax were invented and new ways of displaying film were tested.
    • Flat-bed film editing tables appear, like the Steenbeck, they eventually replace the Moviola editing platform.
    • The French New Wave.
    • Direct Cinema and Cinéma vérité documentaries.
    • The transition of traditional animation to limited animation.

    Television

    The most prominent American TV series of the 1960s include: The Ed Sullivan Show, Peyton Place, Star Trek, Doctor Who, The Twilight Zone, The Outer Limits, The Andy Williams Show, The Dean Martin Show, The Wonderful World of Disney, Alfred Hitchcock Presents, The Beverly Hillbillies, Bonanza, Batman, Dragnet, McHale’s Navy, Rowan & Martin’s Laugh-In, The Dick Van Dyke Show, The Fugitive, The Tonight Show, Gunsmoke, The Andy Griffith Show, Gilligan’s Island, Mission: Impossible, The Flintstones, The Adventures of Ozzie and Harriet, Lassie, The Danny Thomas Show, The Lucy Show, My Three Sons, The Red Skelton Show, Bewitched and I Dream of Jeannie. The Flintstones was a favoured show, receiving 40 million views an episode with an average of 3 views a day. Some programming such as The Smothers Brothers Comedy Hour became controversial by challenging the foundations of America’s corporate and governmental controls; making fun of world leaders, and questioning U.S. involvement in and escalation of The Vietnam War.
    Walt Disney, owner of Walt Disney Co. died on December 15th, 1966, from a major tumor in his left lung.

    Fashion

    Significant fashion trends of the 1960s include:

    • The Beatles exerted an enormous influence on young men’s fashions and hairstyles in the 1960s which included most notably the mop-top haircut, the Beatle boots and the Nehru jacket.
    • The hippie movement late in the decade also had a strong influence on clothing styles, including bell-bottom jeans, tie-dye and batik fabrics, as well as paisley prints.
    • The bikini came into fashion in 1963 after being featured in the film Beach Party.
    • Mary Quant invented the mini-skirt which became the rage in the late 1960s.
    • Men’s mainstream hairstyles ranged from the pompadour, the crew cut, the flattop hairstyle, the tapered hairstyle, and short, parted hair in the early part of the decade, to longer parted hairstyles with sideburns towards the latter half of the decade.
    • Women’s mainstream hairstyles ranged from beehive hairdos, the bird’s nest hairstyle, and the chignon hairstyle in the early part of the decade, to very short styles popularized by Twiggy and Mia Farrow in Rosemary’s Baby towards the latter half of the decade.
    • African-American hairstyles for men and women included the afro.

    Science and Technology

    The Space Race between the United States and the Soviet Union dominated the 1960s.  The Soviets sent the first man, Yuri Gagarin, into outer space during the Vostok 1 mission on April 12th, 1961 and scored a host of other successes, but by the middle of the decade the U.S. was taking the lead.  In May 1961, President Kennedy set for the U.S. the goal of a manned spacecraft landing on the Moon by the end of the decade.
    In 1966, the Soviet Union launched Luna 10, which later became the first space probe to enter orbit around the Moon.
    The deaths of astronauts Gus Grissom, Edward Higgins White, and Roger B. Chaffee in the Apollo 1 fire on January 27th, 1967, put a temporary hold on the U.S. space program, but afterward progress was steady, with the Apollo 8 crew (Frank Borman, Jim Lovell, William Anders) being the first manned mission to orbit another celestial body (the moon) during Christmas of 1968.
    On July 20th, 1969, Apollo 11, the first human spaceflight landed on the Moon.  Launched on July 16th, 1969, it carried mission Commander Neil Armstrong, Command Module Pilot Michael Collins, and Lunar Module Pilot Buzz Aldrin.  Apollo 11 fulfilled President John F. Kennedy’s goal of reaching the moon by the end of the 1960s, which he had expressed during a speech given before a joint session of Congress on 25 May 1961: “I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon and returning him safely to the Earth.”
    The Soviet program lost its sense of direction with the death of chief designer Sergey Korolyov in 1966.  Political pressure, conflicts between different design bureaus, and engineering problems caused by an inadequate budget would doom the Soviet attempt to land men on the moon.
    A succession of unmanned American and Soviet probes traveled to the Moon, Venus, and Mars during the 1960s, and commercial satellites also came into use.

    Other scientific developments

    1960 – The female birth-control contraceptive, the pill, was released in the United States after FDA approval.
    1965 – AstroTurf introduced.
    1967 – First heart transplantation operation by Professor Christiaan Barnard in South Africa.

    Automobiles

    As the 1960s began, American cars showed a rapid rejection of 1950s styling excess, and would remain relatively clean and boxy for the entire decade.  The horsepower race reached its climax in the late 1960s, with muscle cars sold by most makes.  The compact Ford Mustang, launched in 1964, was one of the decade’s greatest successes.  The “Big Three” American automakers enjoyed their highest ever sales and profitability in the 1960s, but the demise of Studebaker in 1966 left American Motors Corporation as the last significant independent.  The decade would see the car market split into different size classes for the first time, and model lineups now included compact and mid-sized cars in addition to full-sized ones.  The popular modern hatchback, with front-wheel-drive and a two-box configuration, was born in 1965 with the introduction of the Renault 16,many of this car’s design principles live on in its modern counterparts: a large rear opening incorporating the rear window, fold-able rear seats to extend trunk space.  The Mini, released in 1959, had first popularized the front wheel drive two-box configuration, but technically was not a hatchback as it had a fold-down trunk lid.  Japanese cars also began to gain acceptance in the Western market, and popular economy models such as the Toyota Corolla, Datsun 510, and the first popular Japanese sports car, the Datsun 240Z, were released in the mid- to late-1960s.

    Electronics and communications

    • 1960 – The first working laser was demonstrated in May by Theodore Maiman at Hughes Research Laboratories.
    • 1961 – Unimate, the first industrial robot, was introduced.
    • 1962 – First transatlantic satellite broadcast via the Telstar satellite.
    • 1962 – The first computer video game, Spacewar!, was invented.
    • 1962 – Red LEDs were developed.
    • 1963 – The first geosynchronous communications satellite, Syncom 2 is launched.
    • 1963 – First transpacific satellite broadcast via the Relay 1 satellite.
    • 1963 – Touch-Tone telephones introduced.
    • 1963 – Sketchpad was the first touch interactive computer graphics program.
    • 1963 – Video recorder The Nottingham Electronic Valve company produced the first home video recorder called the “Telcan”.
    • 1964 – 8-track tape audio format was developed.
    • 1964 – The Compact Cassette was introduced.
    • 1964 – The first successful Minicomputer, Digital Equipment Corporation’s 12-bit PDP-8, was marketed.
    • 1964 – The programming language BASIC was created.
    • 1964 – The world’s first supercomputer, the CDC 6600, was introduced.
    • 1964 – Fairchild Semiconductor released ICs with dual in-line packaging.
    • 1967 – PAL and SECAM broadcast color television systems started publicly transmitting in Europe.
    • 1967 – The first Automatic Teller Machine was opened in Barclays Bank, London.
    • 1968 – Ralph Baer developed his Brown Box (a working prototype of the Magnavox Odyssey).
    • 1968 – The first public demonstration of the computer mouse, the paper paradigm Graphical user interface, video conferencing, teleconferencing, email, and hypertext.
    • 1969 – Arpanet, the research-oriented prototype of the Internet, was introduced.
    • 1969 – CCD invented at AT&T Bell Labs, used as the electronic imager in still and video cameras.
  • Metro-Goldwyn-Mayer Archives – ThrowbackMachine.com

    MGM Parade

    MGM Parade

    MGM Parade is the title of a documentary television series produced by Metro-Goldwyn-Mayer and broadcast by the ABC network during the 1955-56 season on Wednesdays at 8:30pm (E.S.T.), under the alternate sponsorship of American Tobacco (Pall Mall), and General Foods (Instant Maxwell House). Hosted by George Murphy (September 14th, 1955 – March 7th, 1956), Walter Pidgeon (March 14th – May 2nd, 1956) and other MGM stars, the series […]

  • Privacy Policy – ThrowbackMachine.com

    Privacy Policy

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  • The Jack Benny Program – ThrowbackMachine.com

    The Jack Benny Program

    The Jack Benny Program, starring Jack Benny, is a radio-TV comedy series that ran for more than three decades and is generally regarded as a high-water mark in 20th-century American comedy.

    Jack Benny made his TV debut in the 1949 season.  There is a kinescope of his later November 1949 TV appearance on the intermittent Jack Benny Program special appearances of the time.  Benny ran shorter runs in his early seasons on TV into the early 1950s, as he was still firmly dedicated to radio.  The regular and continuing Jack Benny Program was telecast on CBS from October 28th, 1950, to September 15th, 1964, and on NBC from September 25th, 1964, to September 10th, 1965.  343 episodes were produced. His TV sponsors included American Tobacco’s Lucky Strike (1950–59), Lever Brothers’ Lux(1959–60), State Farm Insurance (1960–65), Lipton Tea (1960–62), General Foods’ Jell-O (1962–64), and Miles Laboratories (1964–65).

    The television show was a seamless continuation of Benny’s radio program, employing many of the same players, the same approach to situation comedy and some of the same scripts.  The suffix “Program” instead of “Show” was also a carryover from radio, where “program” rather than “show” was used frequently for presentations in the non-visual medium.  Occasionally, in several live episodes, the title card read, “The Jack Benny Show.”  During one live episode, both titles were used.

    The Jack Benny Program appeared infrequently during its first two years on CBS TV.  Benny moved into television slowly: in his first season (1950–1951), he only performed on four shows, but by the 1951-1952 season, he was ready to do one show approximately every six weeks.  In the third season (1952–1953), the show was broadcast every four weeks.  During the 1953-1954 season,  The Jack Benny Program aired every three weeks.   From 1954-1960, the program aired every other week, rotating with such shows as Private Secretary and Bachelor Father.  Beginning in the 1960-1961 season, The Jack Benny Program began airing every week.  It is also worth noting that the show moved from CBS to NBC prior to the 1964-65 season.  During the 1953-54 season, a handful of episodes were filmed during the summer and the others were live, a schedule which allowed Benny to continue doing his radio show.  In the 1953-1954 season, Dennis Day had his own short-lived comedy and variety show on NBC, The Dennis Day Show.

    The Jack Benny Program was shot in Hollywood at Desilu Studios with an audience brought in to watch the finished film for live responses.  Benny’s opening and closing monologues were always filmed in front of a live audience.  However, from the late 1950s until the last season on NBC, a laugh and applause track was also used for “sweetening” the audience reactions.

    In Jim Bishop’s book A Day in the Life of President Kennedy, John F. Kennedy said that he was too busy to watch most television but that he made the time to watch The Jack Benny Program each week.

     

  • My Favorite Husband – ThrowbackMachine.com

    My Favorite Husband – ThrowbackMachine.com

    My Favorite Husband

    My Favorite Husband is the name of an American radio program and network television series.  The original radio show, co-starring Lucille Ball, was the initial basis for what evolved into the groundbreaking TV sitcom I Love Lucy.  The series was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) written by Isabel Scott Rorick, which had previously been adapted into the Paramount Pictures feature film Are Husbands Necessary? (1942), co-starring Ray Milland and Betty Field.

    CBS brought My Favorite Husband to television in 1953, starring Joan Caulfield and Barry Nelson as Liz and George Cooper.  The couple now resembled their earliest radio version, with George Cooper a well-to-do bank executive and plots dealing with the couple’s society life.  The television version ran two-and-a-half seasons, from October 1953 through December 1955, and was produced live at CBS Television City for most of its run, until switching to film for a truncated third season (ironically, filmed at Desilu) and recasting Liz Cooper with Vanessa Brown.