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  • Gunsmoke – ThrowbackMachine.com

    Gunsmoke

    Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston.  The stories take place in and around Dodge City, Kansas, during the settlement of the American West.  The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television.

    The TV series ran from September 10th, 1955, to March 31st, 1975, on CBS with 635 total episodes.  The first twelve seasons aired Saturdays at 10 p.m., seasons 13 through 16 aired Mondays at 7:30 p.m.and the last four seasons aired Mondays at 8 p.m.  Its longevity has runners-up questioning its primacy as longest run.  It is the longest running, prime time series of the 20th century.  Today, it still has the highest number of scripted episodes for any, U.S. primetime, commercial live-action television series.  George Walsh, the announcer for Gunsmoke, began in 1952 on radio’s Gunsmoke and continued until television’s Gunsmoke was canceled in 1975. The first 7 seasons were jointly sponsored by L&M cigarettes and Remington shaving products.
    When Gunsmoke was adapted for television in 1955, the network did not appear interested in bringing either Conrad or his radio costars to the medium (his weight was rumored to be a deciding factor) despite a campaign to convince the network.  Denver Pyle was also considered for the role, as was Raymond Burr, who was ultimately also seen as too heavyset for the part.  Charles Warren, television Gunsmoke’s first director, said “His voice was fine but he was too big. When he stood up, his chair stood with him.”  The belief John Wayne was asked to pin on the badge is disputed by Warren.  Although he agrees Wayne encouraged Arness to take the role, Warren says, “I hired Jim Arness on the strength of a picture he’s done for me… I never thought for a moment of offering it to Wayne.”
    In the end, the primary roles were all recast, with Arness taking the lead role of Marshal Matt Dillon (on the recommendation of Wayne, who also introduced the pilot); Dennis Weaver playing Chester Goode; Milburn Stone being cast as Dr. G. “Doc” Adams (later Galen “Doc” Adams); and Amanda Blake taking on the role of Miss Kitty Russell.  MacDonnell became the associate producer of the TV show and later the producer.  Meston was named head writer.
    Chester and Festus Haggen are perhaps Dillon’s most recognizable sidekicks, though there were others who would become acting-deputies for two and a half to seven and a half year stints: Quint Asper (Burt Reynolds) (1962–1965), Thad Greenwood (Roger Ewing) (1966–1968), and Newly O’Brian (Buck Taylor) (1967–1975), who served as both back-up deputy and doctor-in-training, having some studies in medicine via his uncle which then continued under Doc Adams.

    In 1962, Burt Reynolds was added to the show’s lineup, as the “halfbreed” blacksmith Quint Asper and elipsed the span during characters Chester Goode and Festus Haggen.  Three of the actors, who played Dodge deputies, Ken Curtis, Roger Ewing and Buck Taylor, had previous guest roles.  Curtis, a big band and western singer (Tommy Dorsey Band, Shep Fields Band, Sons of the Pioneers), had 5 previous guest roles including one in 1963 as a shady ladies’ man named Kyle (“Lover Boy”, season 9, show 2).

    Curtis first appeared in the 1959 episode “Jayhawkers” (season 4, episode 21), where he played Phil Jacks, a Texas cowboy with Jack Elam as his boss during a cattle drive from Texas.  The second was another 1959 episode entitled “Change of Heart” (season 4, episode 32), where he played Brisco, which also starred James Drury as Jerry Cass.  The 3rd appearance is the 1960 episode “The Ex-Urbanites” (season 5, episode 30), where he plays Jesse with Robert Wilke as Pitt.  He also had a small role as an Indian named Scout in the episode “Speak Me Fair” (season 5, episode 34) in 1960.  Curtis, was reared in Las Animas, Colorado, and for a time a son-in-law of director John Ford.  In 1963, Weaver left the series to pursue a broader acting career in TV series and films.  In 1964 Curtis was signed as a regular to play the stubbornly illiterate hillbilly Festus Haggen.

    The character, heretofore a comic feature, came to town in a 1962 episode titled “Us Haggens”, to avenge the death of his twin brother Fergus, and decided to stay in Dodge when the deed was done.  Initially on the fringes of Dodge society, Festus was slowly phased-in as a reliable sidekick/ part-time deputy to Matt Dillon when Reynolds left in 1965.  In the episode “Alias Festus Haggen”, he is mistaken for a robber and killer whom he has to expose to free himself (both parts played by Curtis).  In a comic relief episode (“Mad Dog”), another case of mistaken identity forces Festus to fight three sons of a man killed by his cousin.  As a side note, there is only one episode that has all 3 Actors in it playing their respective roles.  It is the 1964 episode entitled “Prairie Wolfer” (season 9, episode 16), with Dennis Weaver as Chester, Burt Reynolds as Quint, and Ken Curtis as Festus.

    When Milburn Stone left the series for health reasons for several episodes in 1971, Pat Hingle played his temporary replacement, Dr. John Chapman, whose presence was at first roundly resisted by Festus, a bickersome but close friend of Doc Adams.
    The back stories of some of the main characters were largely left to the imagination of the viewer. Matt Dillon spent his early years in foster care, knew the Bible, was a wayward, brawling cowboy, and later mentored by a caring lawman.  Kitty Russell, born in New Orleans and reared by a flashy foster mother (who once visited Dodge), apparently had no living family.  Barkeep Sam was said to be married but no sightings of a wife were made (In the episode “Tafton”, he is seen side-by-side with a woman in a church singing).  Quint Asper’s white father was killed by white scavengers.  Thad Greenwood’s father, a storekeeper, was harassed to death by a trio of loathsome ne’er-do-well thieves.  Chester Goode was known to be one of many brothers raised by an aunt and uncle, and he mentions his mother on one occasion; he referred to past service in the cavalry, and years as a cattle driver in Texas.  The cause of Chester’s stiff right leg was never given, but it was shown as his own leg and not a prosthesis.  No direct reference was ever made to his disability in the script, although some oblique moments painted the free spirited, comic deputy with a darker tone.  Newly O’Brien was named after a physician uncle, who ignited his interest in medicine.
    While Dillon and Miss Kitty clearly had a close personal relationship, the two never married.”  In the episode “Waste”, featuring Johnny Whitaker as a boy with a prostitute mother, her madam questions Dillon as to why the law overlooks Miss Kitty’s enterprise.  It appears that bordellos could exist “at the law’s discretion” (meaning the marshal’s).  Miss Kitty was written out in 1974.  The actress sought more free time and reportedly missed her late co-star, Glenn Strange, who played her Long Branch barkeep, Sam.  When Blake decided not to return for the show’s 20th (and final) season, the character was said to have returned to New Orleans. She was replaced by the hoarse-voiced, matronly actress Fran Ryan (known to many as the second Doris Ziffel on CBS’ “Green Acres”).
    For over a decade on television, a sign hung over Doc’s office that read “Dr. G. Adams”. Milburn Stone was given free-rein to choose the character’s first name.  The actor chose the surname of an ancient Greek physician and medical researcher named Galen.  He is first referred to in this manner by Theodore Bikel in the season 10 episode, “Song for Dying”, aired February 13th, 1965.


     




  • Crusader – ThrowbackMachine.com

    Crusader

    Crusader (sometimes erroneously listed as The Crusader) is a half-hour black-and-white American adventure/drama series that aired on CBS for two seasons from October 7th, 1955 to December 28th, 1956.

    The series stars Brian Keith as the fictitious free-lance journalist Matt Anders, whose mother’s death in a World War II Nazi concentration camp in German-occupied Poland propels him to combat injustices worldwide during the height of the Cold War.  Keith’s Crusader has been compared to Zorro, The Lone Ranger, or The Cisco Kid in that the principal character is devoted to altruism.  Anders is particularly interested in liberating oppressed peoples from communism.  The series began as Nikita S. Khrushchev emerged as the premier and the general secretary of the Communist Party in the former Soviet Union.  The 52-episode program, Keith’s first television series, aired on CBS at 9 p.m. Eastern on Fridays.
  • Monday Archives – ThrowbackMachine.com

    Mayberry R.F.D.

    Mayberry RFD

    Mayberry R.F.D. is an American television series produced as a spin-off and direct continuation of The Andy Griffith Show.  When star Andy Griffith decided to leave his series, most of the supporting characters returned for the new program, which ran for three seasons (78 episodes) on the CBS Television Network from 1968–1971.   During the final season of The Andy Griffith Show, widower farmer Sam Jones (Ken […]

    Family Affair

    Family Affair

    Family Affair is an American sitcom that aired on CBS from September 12th, 1966 to September 9th, 1971.  The series explored the trials of well-to-do civil engineer and bachelor Bill Davis (Brian Keith) as he attempted to raise his brother’s orphaned children in his luxury New York City apartment.  Davis’ traditional English gentleman’s gentleman, Mr. […]

    The Rat Patrol

    rat patrol

    The Rat Patrol is an American television program that aired on ABC during the 1966–1968 seasons. A total of fifty-eight 30-minute episodes were produced by Mirisch-Rich Television Productions, a subsidiary of United Artists Television, in association with Tom Gries Productions Inc.  Just as The Man From U.N.C.L.E. episode titles included the word “Affair”, all Rat […]

    The John Forsythe Show

    The John Forsythe Show

    The John Forsythe Show began as a situation comedy in the fall of 1965 on NBC, but at mid-season it switched to a spy show. NBC advertising in February of ’65, gave a working title of The Mr. and The Misses.  In the first phase of the series, John Forsythe appeared as United States Air […]

    90 Bristol Court

    90 Bristol Court

    90 Bristol Court is the umbrella title of a short-lived NBC experiment comprising three situation comedies set in a Southern California apartment complex located at the title address.  The 90-minute block aired Monday nights and consisted of Karen (7:30-8:00pm), Harris Against the World (8:00-8:30pm), and Tom, Dick, and Mary (8:30-9:00pm). While they were promoted as […]

    Slattery’s People

    Slattery's People

    Slattery’s People is a 1964-1965 American television series about local politics starring Richard Crenna as title character James Slattery, a state legislator, co-starring Ed Asner and Tol Avery, and featuring Carroll O’Connor and Warren Oates in a couple of episodes each.  James E. Moser was executive producer.  The program, telecast on CBS, was nominated for […]

    Many Happy Returns

    Many Happy Returns

    Many Happy Returns is an American situation comedy that ran on CBS for twenty-six episodes, from September 21st, 1964 to April 12th, 1965, under the sponsorship of General Foods.  The Tagline of the show was Krockmeyer’s Appreciates Your Patronage. The show stars character actor John McGiver.  Known for his emphatic, precise, dogmatic bearing and firm […]

    12 O’Clock High

    12 O'Clock High

    12 O’Clock High (also known as Twelve O’Clock High) is an American drama series set in World War II.  This TV series originally broadcast on ABC for two-and-one-half seasons from September 18th, 1964, through January 13th, 1967 and was based on the motion picture Twelve O’Clock High (1949).  The series was a co-production of 20th […]

    The Bing Crosby Show

    The Bing Crosby Show

    The Bing Crosby Show is a 28-episode situation comedy television program starring crooner, film star, iconic phenomenon, and businessman Bing Crosby and actress Beverly Garland as a middle-aged couple, Bing and Ellie Collins, rearing two teenaged daughters during the early 1960s.  In this format, Crosby portrayed a former entertainer turned architectural designer with a penchant […]

    Wendy And Me

    Wendy And Me

    Wendy and Me is an American sitcom that aired on ABC during the 1964–1965 television season, primarily sponsored by Consolidated Cigar’s “El Producto.”  Principally starring George Burns and Connie Stevens, the series was Burns’ first major work following the death of his wife and professional partner, Gracie Allen, who had died of a heart attack […]

    No Time For Sergeants

    No Time For Sergeants

    No Time for Sergeants came to the small screen in the fall of 1964.  It starred Sammy Jackson who had had one line in the film version.  When Jackson read that Warner Brothers was going to produce a television sitcom version of No Time for Sergeants for ABC he wrote directly to Jack Warner saying […]

    Voyage to the Bottom of the Sea

    voyage to the bottom of the sea

    Voyage to the Bottom of the Sea is a 1960s American science fiction television series based on the 1961 film of the same name.  Both were created by Irwin Allen. Voyage to the Bottom of the Sea was the first of Irwin Allen’s four science fiction television series, as well as the longest running.  It […]

    The Andy Griffith Show

    The Andy Griffith Show

    The Andy Griffith Show is an American sitcom first televised on CBS between October 3rd, 1960 and April 1st, 1968.  Andy Griffith portrays the widowed sheriff of the fictional small community of Mayberry, North Carolina.  His life is complicated by an inept, but well-meaning deputy, Barney Fife (Don Knotts), a spinster aunt and housekeeper, Aunt […]

    Huntley – Brinkley Report

    The Huntley Brinkley Report

    The Huntley-Brinkley Report (sometimes known as The Texaco Huntley-Brinkley Report, for one of its early sponsors) was the NBC television network’s flagship evening news program from October 29th, 1956, until July 31st, 1970.  It was anchored by Chet Huntley in New York City, and David Brinkley in Washington, D.C.  It succeeded the Camel News Caravan, […]

    The Golden Touch of Frankie Carle

    The Golden Touch of Frankie Carle

    The Golden Touch of Frankie Carle was a short-lived musical variety television series broadcast in the United States by NBC from August to October 1956.  The Golden Touch of Frankie Carle featured the pianist and guest singers performing a variety of music, including popular standards and the current hits of the day. The program’s main […]

    The Adventures of Robin Hood

    250px-Robin_Hood_titlecard

    The Adventures of Robin Hood is a British television series comprising 143 half-hour, black and white episodes broadcast weekly between 1955 and 1959 on ITV. It stars Richard Greene as the outlaw Robin Hood and Alan Wheatley as his nemesis, the Sheriff of Nottingham.  The show followed the legendary character Robin Hood and his band of merry men in Sherwood Forest and the surrounding vicinity. While some episodes dramatised the traditional Robin Hood […]

    Medical Horizons

    Quincy Howe and John Daly

    Medical Horizons is a public affairs television series, focusing on advancements in medical technology, which aired on ABC from September 12th, 1955 to March 5th, 1956.  The program, broadcast live, sometimes offered surgical scenes as well as information about new medical equipment. The series was hosted for the first four episodes by Quincy Howe.  He […]

    Gunsmoke

    Gunsmoke

    Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston.  The stories take place in and around Dodge City, Kansas, during the settlement of the American West.  The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. […]

    John Charles Daly and the News

    John Charles Daly and the News

    John Charles Patrick Croghan Daly (generally known as John Charles Daly or simply John Daly (February 20th, 1914 – February 24th, 1991) was an American journalist, game show host and radio personality, probably best known for hosting the panel show What’s My Line?.  He was the vice president of ABC during the 1950s.  On December […]

    TV Reader’s Digest

    TV Reader's Digest

    TV Reader’s Digest is the title of a 30 minute American television anthology drama series which aired on the ABC from 1955 to 1956. Based on articles that appeared in Reader’s Digest magazine, the episodes based on true stories which were varied in their themes, plots and content.  Themes included crime, heroism, mystery, romance, and […]

  • TV Reader’s Digest – ThrowbackMachine.com

    TV Reader’s Digest – ThrowbackMachine.com

    TV Reader’s Digest

    TV Reader’s Digest is the title of a 30 minute American television anthology drama series which aired on the ABC from 1955 to 1956.

    Based on articles that appeared in Reader’s Digest magazine, the episodes based on true stories which were varied in their themes, plots and content.  Themes included crime, heroism, mystery, romance, and human interest.  Episode writers included Frederick Hazlitt Brennan, Cleveland Amory and Frank Gruber.
    Some of the actors who were cast in the episodes included: Claude Akins, Leon Askin, Jean Byron, Chuck Connors, Peter Graves, Tod Griffin, Francis McDonald, Max Showalter, John Howard, Lee Marvin, Gene Raymond, Jerry Paris, and Michael Winkelman.

     

  • The Red Skelton Show – ThrowbackMachine.com

    The Red Skelton Show – ThrowbackMachine.com

    The Red Skelton Show

    The Red Skelton Show is an American variety show that was a television staple for two decades, from 1951 to 1971.  The host of the show, Richard Bernard “Red” Skelton, who had previously been a radio star, had appeared in several motion pictures as well.

     Although his television series is largely associated with CBS, where it appeared for more than fifteen years, it actually began and ended on NBC.  It was second to Gunsmoke (1955–1975) and third to The Ed Sullivan Show (1948–1971) in the ratings during that time.  During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961.

    Red Skelton’s network television program began at the start of the 1951 fall season on NBC (for sponsor Procter & Gamble).  The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30th, 1951.  After two seasons on Sunday nights, the program was picked up by CBS in the fall of 1953 and moved to Tuesday night, the time slot with which it would become primarily associated during most of its run.  After his first CBS season the program was moved to Wednesday night and expanded to an hour for the summer of 1954 only; it was then reduced back to a half hour for a time, later expanded again, returning to Tuesday night, where it would remain for the next sixteen years (co-sponsored by Johnson’s Wax and Pet Milk between 1955 and 1962).

    The program was produced at Desilu Productions and CBS Television City in Hollywood, and over five years, from 1955 through 1960, was telecast in color approximately 100 times.  In 1960, he purchased the Chaplin studios, with plans to continue using the facility for his television show and for making films. 

    Skelton was infatuated with his appearance on color television, and he cajoled CBS to colorcast the program (In 1961, Skelton also invested in three rental remote vans which had full live, film, and color videotape capability).  Although visionary, the venture in color was premature and when it failed, CBS bought Skelton’s facilities (formerly Charlie Chaplin Studios) as part of renewing Skelton’s contract.  From 1956 to 1962, Sherwood Schwartz (later widely known for creating the popular sitcoms Gilligan’s Island and The Brady Bunch, among others) was head writer of Skelton’s show, for which Schwartz won an Emmy Award in 1961.

     

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  • horror Archives – ThrowbackMachine.com

    The Munsters

    The Munsters

    The Munsters is an American television sitcom depicting the home life of a family of benign monsters.  The series originally aired on Thursday at 7:30pm on CBS from September 24th, 1964, to May 12th, 1966.  Seventy episodes were produced. The series stars Fred Gwynne as Herman Munster and Yvonne De Carlo as his wife, Lily […]

  • The Life of Riley – ThrowbackMachine.com

    The Life of Riley

    The Life of Riley, with William Bendix in the title role, is a popular American radio situation comedy series of the 1940s that was adapted into a 1949 feature film, a long-running 1950s television series (originally with Jackie Gleason as Riley for one truncated season, then with Bendix for six seasons), and a 1958 comic book.

    The show was adapted for television on NBC by the producer of the radio series, Irving Brecher.  It was seen for a single season telecast from October 4th, 1949 to March 28th, 1950.
    Originally, William Bendix was to have appeared on both radio and television, but Bendix’s RKO Radio Pictures movie contract prevented him from appearing on the television version.  Instead, Jackie Gleason starred, however, it came to an end after 26 episodes, not because of low ratings or a desire by Gleason to leave the series, but because Irving Brecher and sponsor Pabst Brewing Company reached an impasse on extending the series for a full 39-week season.

    The second TV series ran for six seasons, from January 2nd, 1953 – May 23rd, 1958.  It was produced by Tom McKnight for NBC, and featured William Bendix.  He was supported by Marjorie Reynolds, as wife Peg, Tom D’Andrea as schemer buddy Gillis, Gloria Blondell as Gillis’ wife, Honeybee, Lugene Sanders as daughter Babs, and Wesley Morgan as son Junior. This Life of Riley series with Bendix, was a ratings hit, ranking at #16 in its first season, with four of its six seasons in the top 30, and ran for a total of 217 episodes. It then went into syndicated reruns.

    In all of the show’s incarnations, the comedic plot lines centered around Riley himself, a gullible and occasionally clumsy (but big-hearted) lug, and the doings and undoings of his family.  Riley’s penchant for turning mere trouble into near-disaster through his well-intentioned bumbling was often aided or instigated by his arch best friend/next-door neighbor, Gillis.
    In several ways, Riley was a prototype for later blue-collar situation comedy protagonists such as blustery, get-rich-quick schemer Ralph Kramden and his animated stone-age counterpart Fred Flintstone; along with blustery bigot Archie Bunker.
    The final season and a half, broadcast from January of 1957 through June of 1958, was filmed and originally broadcast in color, although only black-and-white film prints of those final episodes were syndicated.
    Sponsors of the TV show included Pabst Blue Ribbon Beer (1949–50), Gulf Oil (1953–58) and Lever Brothers (1957–58).

  • talent show Archives – ThrowbackMachine.com

    Talent Varieties

    255px-Talent_Varieties_set (1)

    Talent Varieties is a country music talent show on American network television and radio in 1955 that featured performers hoping to achieve fame in the entertainment business.The weekly ABC-TV program was a live half-hour summer replacement series hosted by Slim Wilson. Wilson introduced the amateur and professional talent, including music and comedy acts (many from the Ozarks); and his Tall Timber Trio, composed of Speedy Haworth (guitar), Bob White (bass […]

    Chance of a Lifetime

    Chance of a Lifetime

    Chance of a Lifetime was a competitive talent show which aired on ABC in 1952 – 1953 and 1955 – 1956 and on DuMont 1953 – 1955. Dennis James was the host of the ABC version which ended on August 20th, 1953, and John Reed King was the host of the DuMont version, which ran […]

    The Original Amateur Hour

    The Original Amateur Hour

    The Original Amateur Hour is an American radio and television program. The show was a continuation of Major Bowes Amateur Hour which had been a radio staple from 1934 to 1945. The television debut came on January 18th, 1948 on the DuMont Television Network with Mack as the host.  The regular staff for the television […]

  • The Honeymooners – ThrowbackMachine.com

    The Honeymooners

    The Honeymooners is an American situation comedy, based on a recurring 1951–55 sketch of the same name.  It originally aired on the DuMont network’s Cavalcade of Stars and subsequently on the CBS network’s The Jackie Gleason Show, which was filmed before a live audience.

    The Honeymooners debuted as a half-hour series on October 1st, 1955.  Although initially a ratings success—becoming the #2 show in the United States its first season—it faced stiff competition from The Perry Como Show, and eventually dropped to #19, ending its production after only 39 episodes (now referred to as the “Classic 39”).

    In July 1950, Jackie Gleason took over as the host of Cavalcade of Stars, a variety show that aired on the DuMont Television Network.  After the first year, Gleason and his writing staff developed a sketch that drew upon familiar domestic situations for its material.  Based on the popular radio show The Bickersons, Gleason wanted a realistic portrayal of life for a poor husband and wife living in Brooklyn.  The couple would fight constantly, but ultimately show their love for each other.  After rejecting titles such as “The Beast”, “The Lovers”, and “The Couple Next Door”, Gleason and his staff settled on “The Honeymooners” for the name of the new sketch.  Gleason took the role of Ralph Kramden, a blustery bus driver, and he chose veteran comedy movie actress Pert Kelton for the role of Alice Kramden, Ralph’s acerbic wife.
    “The Honeymooners” made its debut on October 5, 1951, as a six-minute sketch.  Cast member Art Carney made a brief appearance as a police officer who gets hit with flour Ralph had thrown out the window.  The tone of these early sketches was much darker than the later series, with Ralph exhibiting extreme bitterness and frustration with his marriage to an equally bitter and argumentative middle-aged woman (Kelton was nine years older than Gleason).  The Kramdens’ financial struggles mirrored those of Gleason’s early life in Brooklyn, and he took great pains to duplicate on set the interior of the apartment where he grew up (right down to his boyhood address of 328 Chauncey Street).  The Kramdens (and later the Nortons) are childless, an issue never explored, but a condition on which Gleason insisted.  Ralph and Alice did legally adopt a baby girl whom they named Ralphina (because he actually wanted a baby boy which he could name after himself but fell in love with the baby girl whom the agency had placed with them).  The biological mother requested to have her baby back, and the agency asked whether the Kramdens would be willing to return her even though they were the legal parents of the girl.  Ralph agreed and stated that they would visit her and she would have a real life Santa Claus every Christmas.
    Early additions to the cast of later sketches were upstairs neighbors Ed and Trixie Norton.  Ed (played by Carney) was a sewer worker and Ralph’s best friend, although his innocent and guileless nature was the source of many arguments between the two.  Trixie Norton, Ed’s wife, was originally portrayed as a burlesque dancer by Elaine Stritch, but was replaced by the more wholesome looking Joyce Randolph, after just one appearance.  Trixie is a foil to Ed, just as Alice is for Ralph, but derivatively, and almost always off-screen.
    CBS president William S. Paley convinced Gleason to leave the DuMont Network and bring his show to CBS.  In July 1952, the cast of The Jackie Gleason Show embarked on a highly successful five-week promotional tour across the United States, performing a variety of musical numbers and sketches (including the popular “Honeymooners”).  However, actress Pert Kelton was blacklisted at the time and replaced on the tour by Beulah actress Ginger Jones, who subsequently was also blacklisted (having earlier been named on the Red Channels blacklist) by CBS, which meant that a new Alice was needed.
    Jones’ replacement was Audrey Meadows, already known for her work in the 1951 musical Top Banana and on Bob and Ray’s television show.  Before receiving the role, Meadows had to overcome Gleason’s reservations about her being too attractive to make a credible Alice.  To accomplish this, she hired a photographer to come to her apartment early in the morning and take pictures of her with no make-up on, wearing a torn housecoat, and with her hair undone.  When the pictures were delivered to Gleason, he looked at them and said, “That’s our Alice.”  When it was explained to him who it was he said, “Any dame who has a sense of humor like that deserves the job.”  With the addition of Meadows the now-famous “Honeymooners” lineup of Gleason, Carney, Meadows, and Randolph was in place.
    The rising popularity of The Honeymooners was reflected in its increasing prominence as part of The Jackie Gleason Show.  During the first season, it appeared on a regular basis (although not weekly) as a short sketch during part of the larger variety show.  The sketches ranged in length from seven to thirteen minutes.  For the 1953–54 season, the shorter sketches were outnumbered by ones that ran for a half-hour or longer.  During the 1954–55 season, most episodes consisted entirely of The Honeymooners.  Fan response was overwhelming.  Meadows received hundreds of curtains and aprons in the mail from fans who wanted to help Alice lead a fancier life.  By January 1955, The Jackie Gleason Show was competing with (and sometimes beating) I Love Lucy as the most-watched show in the United States.  Audience members lined up around the block hours in advance to attend the show.
    Before Gleason’s initial three-year contract with CBS expired, he was offered a much larger one by CBS and General Motors’ Buick division (the car maker having dropped their sponsorship of Milton Berle’s Buick-Berle Show after two seasons on NBC).  The three-year contract, reportedly valued at $11 million, was one of the largest in show business history.  It called for Gleason to produce 78 filmed episodes of The Honeymooners over two seasons, with an option for a third season of 39 more.  He was scheduled to receive $65,000 for each episode ($70,000 per episode in the second season), but had to pay all production costs out of that amount.  Art Carney received $3,500 per week, Audrey Meadows received $2,000 per week, and Joyce Randolph (who did not appear in every episode) received $500 per week.  Production for The Honeymooners was handled by Jackie Gleason Enterprises, Inc., which also produced the show’s lead-in, Stage Show, starring The Dorsey Brothers.  Reportedly, only Audrey Meadows, who later became a banker, received residuals by inserting language to that effect into her contract.
    The first episode of the new half-hour series aired Saturday, October 1st, 1955, at 8:30 pm Eastern Time (during prime time), opposite Ozark Jubilee on ABC and The Perry Como Show on NBC and had aired every Saturday since.  As it was sponsored by Buick, the opening credits originally ended with a sponsor identification by announcer Jack Lescoulie (“Brought to you by … Your Buick Dealer. And away we go!”), and the show concluded with a brief Gleason sales pitch for the company.  All references to the car maker were removed when the show entered syndication in 1957.
    Critical reaction to The Honeymooners was mixed.  The New York Times and Broadcasting and Telecasting Magazine wrote that it was “labored” and lacked the spontaneity of the live sketches, but TV Guide praised it as “rollicking”, “slap-sticky” and “fast-paced.”  In February 1956, the show was moved to the 8 pm(et) time slot, but had already started to lose viewers to the hugely popular Perry Como Show.  Gleason’s writers had also begun to feel confined by the restrictive half-hour format (in previous seasons, Honeymooners sketches typically ran 35 minutes or more), and Gleason felt that they were starting to run out of original ideas.  After just one season, Gleason and CBS agreed to cancel The Honeymooners, which aired its 39th and last original episode on September 22nd, 1956.  In explaining his decision to end the show with $7 million remaining on his contract Gleason said, “the excellence of the material could not be maintained, and I had too much fondness for the show to cheapen it.”
    The final episode of The Honeymooners aired on September 22nd, 1956.