Category: Uncategorized

  • Mayberry R.F.D. – ThrowbackMachine.com

    Mayberry R.F.D. – ThrowbackMachine.com

    Mayberry R.F.D.

    Mayberry R.F.D. is an American television series produced as a spin-off and direct continuation of The Andy Griffith Show.  When star Andy Griffith decided to leave his series, most of the supporting characters returned for the new program, which ran for three seasons (78 episodes) on the CBS Television Network from 19681971.  

    During the final season of The Andy Griffith Show, widower farmer Sam Jones (Ken Berry) and his young son Mike (Buddy Foster) are introduced and gradually become the show’s focus.  Sheriff Andy Taylor takes a backseat in the storylines, establishing the sequel series. The show’s first episode, “Andy and Helen’s Wedding”, had the highest ratings in recorded television history (up to premiere date in 1968). Sheriff Taylor and newlywed wife Helen make guest appearances on R.F.D. until late 1969, and then relocate with Opie. Mayberry R.F.D. was popular throughout its entire run, but was canceled after its third season in CBS’s infamous “rural purge” of 1971.  R.F.D. stands for “Rural Free Delivery“, a quaint postal depiction of the rural Mayberry community.

    Father and son stories involving Sam and Mike Jones are reminiscent of the parent series.  Both characters are introduced in the last season of The Andy Griffith Show (TAGS), beginning with Sam’s election as head of the town council.  Most of town folk from TAGS reprise their roles in the sequel.  Loyal Mayberry citizens Goober Pyle (George Lindsey), Clara Edwards (Hope Summers), Emmett Clark (Paul Hartman), and Howard Sprague (Jack Dodson) are seen regularly.
    Sheriff Andy Taylor and his sweetheart, Helen Crump (Aneta Corsaut), marry in the sequel’s first episode.  Both make additional appearances (mostly Andy), then leave the series in late 1969, with a move to Raleigh, North Carolina as the explanation.  Aunt Bee (Frances Bavier) becomes Sam’s housekeeper but leaves after the second season to be replaced by Sam’s cousin, Alice Cooper (Alice Ghostley). Don Knotts and Ronny Howard, as Barney Fife and Opie Taylor respectively, appear in the first episode.  Actress Arlene Golonka (who played Howard Sprague’s sweetheart Millie Hutchins/Swanson in the Griffith show) becomes Sam’s love interest in the sequel. A recurring black character named Ralph (Charles Lampkin) lives with a teen daughter and pre-teen son next to the Jones farm. Episodes include Andy’s wedding (“Andy & Helen Get Married”, episode #1); the christening of their infant son Andy (“Andy’s Baby”, episode #27); Aunt Bee getting engaged, (“Aunt Bee and the Captain”, episode #16); friction over a parade (“Mayberry’s Float”, episode #39); and a visit from Goober’s rocket-scientist brother (“Goober’s Brother”, episode #44).
  • My Mother the Car – ThrowbackMachine.com

    My Mother the Car

    My Mother the Car is an American fantasy sitcom which aired for a single season on NBC between September 14th, 1965 and April 5th, 1966.  A total of 30 episodes were produced by United Artists Television.

    Critics and adult viewers generally panned the show, often savagely.  My Mother the Car was an original variation on then-popular “gimmick” shows like My Favorite Martian, The Flying Nun, I Dream of Jeannie, and especially Mister Ed, all of which depended on a fantastic, quirky premise for their comedy.  Like these situation comedies of the 1960s, My Mother the Car is remembered fondly by baby boomers who followed the series during its one broadcast season.

    Allan Burns, co-creator of My Mother the Car,  went on to create some of the most critically acclaimed shows in television history, including The Mary Tyler Moore Show, and Rhoda.  Television producer James L. Brooks, who later collaborated with Burns on these series, also created Room 222, and got his start in television sitcoms when he was called upon to rewrite a script for an episode of the series.  The other co-creator, Chris Hayward, produced and wrote for Barney Miller during its first several seasons.  Burns and Heyward had better success with Rocky and Bullwinkle, The Munsters, and Get Smart, which debuted the same season.

    The show follows the exploits of attorney David Crabtree (played by Jerry Van Dyke), who, while shopping at a used car lot for a station wagon to serve as a second family car, instead purchases a dilapidated 1928 Porter touring car. Crabtree hears the car call his name in a woman’s voice.  The car turns out to be the reincarnation of his deceased mother, Gladys (voiced by Ann Sothern).  She talks (only to Crabtree) through the car’s radio: the dial light flashes in synchronization with “Mother’s” voice.  In an effort to get his family to accept the old, tired car, Crabtree brings it to a custom body shop for a full restoration.  The car is coveted by a fanatical collector named Captain Manzini (Avery Schreiber), but Crabtree purchases and restores the car before Manzini can acquire it.
    For the rest of the series, Crabtree is pursued by the avaricious Captain Manzini, who is determined to acquire the valuable automobile by hook or crook.  In a running gag characterizing his shifty nature, Manzini (who resembles a 1920s silent film villain) always distorts Crabtree’s name when speaking to him.  “Now, then, Crabapple…” “That’s Crabtree.” “Whatever.”

    Others in the cast included Maggie Pierce as wife Barbara and Cindy Eilbacher (the sister of Lisa Eilbacher) and Randy Whipple as the kids, Cindy and Randy.  Veteran movie and television character actors played supporting roles, including Harold Peary, Byron Foulger, Bob Jellison, Sam Flint, and Willis Bouchey.
    In an American variety show special that the brothers Dick Van Dyke and Jerry Van Dyke appeared together on, Jerry noted that his first program, My Mother the Car, did not even complete one season.  Jerry said that his final episode was interrupted by a special news report on the American NASA space program.  Jerry lamented that when the news special was over, his program was not resumed.  It would be many years before the final episode could be seen in its entirety.

    The 1928 Porter used in My Mother the Car was not a production car, although real Porter cars existed.  The first was a steam automobile (Boston, Massachusetts, 1900–1901).  The second car was a powerful luxury car (Bridgeport, Connecticut, 1919–1922) made from parts left over from production of Finley R Porter’s FRP.  By the 1960s, no examples of either remained.

    For the TV show, assistant prop man Kaye Trapp leased the producers a 1924 Ford T-tub hot rod he recently bought from his friend and its builder, Norm Grabowski.  Both Grabowski and the car had earlier appeared in the B movie comedy Sex Kittens Go to College (1960).
    The 1928 Porter touring car sported diamond-tufted naugahyde upholstery, oversized white tonneau cover, plush black carpeting, chrome windshield braces and half-moon hubcaps.  Trapp and studio special effects man Norm Breedlove (father of land-speed-record-setter Craig Breedlove) modified the car to give it an elongated engine compartment, palladian-style brass radiator with “Porter” script, a spare tire mounted on the running board, outboard fuel tank and antique cane-clad trunk.  It was later fitted, as needed, with special effects hardware, such as an oil tank drip to simulate a smoking engine and “tear ducts” in the headlamp bezels.  Off-camera operation of electrics was by umbilical cable.  The signature features gave it an anachronistic look, resembling cars of earlier eras.

    The power train was the rod-grade 283 cu in V8 (Chevrolet small-block) engine mated with Powerglide automatic transmission.  The “Porter” was registered (as a modified Ford) in 1964 with the contemporary yellow-on-black California license plates PZR 317 evident throughout the show’s run.  Though it bore a few design similarities with the FRP Porter, which may have suggested the television car’s moniker, it is rumored that the car was named after the show’s production manager, W. A. Porter.

    When series production was approved, the Grabowski rod was retained as the “hero” car, and a second — “stunt”, or special effects — car was commissioned and built by celebrated car customizer George Barris, whose Barris Kustom Industries licensed it to AMT for model kit production (an inaccurate rendering) and also toured it after series wrap with other of his creations.  The stunt car, not conventionally driveable, was ingeniously equipped with apparatus to let Mother “drive herself” via a system of levers and mirrors operated by a short human driver concealed on a tractor seat below the removed rear floorboards.  It also had other special mechanical features, such as gimbaled headlamps.

    Both cars had the dashboard-mounted radio head with flashing dial light through which Mother “talked” (though only to her son).  These scenes were filmed with a stand-in; actress Ann Sothern’s voice was dubbed to the soundtrack in post-production.  Generally, the hero car was used for driving shots and close-ups, and the stunt car for long shots and special effects sequences.  Either was available as a stand-in in case of mechanical breakdown on set.  Though made to represent one car, they can be distinguished by minor details, and actually appeared together in one episode.
    Additionally, a third car was used in filming, representing both the dilapidated car-lot Porter of the pilot and, in another episode, a “1932 Porter”.  This car may not have been complete, and its existence and whereabouts are unknown.



  • My Three Sons – ThrowbackMachine.com

    My Three Sons – ThrowbackMachine.com

    My Three Sons

    My Three Sons is an American situation comedy.  The series ran from 1960 to 1965 on ABC, and moved to CBS until its end on August 24th, 1972. 

    My Three Sons chronicles the life of a widower and aeronautical engineer named Steven Douglas (Fred MacMurray), raising his three sons.  The series also starred William Frawley as the boys’ live-in maternal grandfather, Bub.  William Demarest replaced Frawley in 1965 due to Frawley’s health issues.

  • General Electric Theater – ThrowbackMachine.com

    General Electric Theater

    General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television.  The series was sponsored by General Electric’s Department of Public Relations.

    The television version of the program, produced by MCA-TV / Revue, was broadcast every Sunday evening at 9:00pm, EST, beginning February 1st, 1953, and ending May 27th, 1962.  Each of the estimated 209 television episodes was an adaptation of a novel, short story, play, film, or magazine fiction.  An exception was the 1954 episode Music for Christmas, which featured choral director Fred Waring and his group The Pennsylvanians performing Christmas music.
    On September 26th, 1954, Ronald Reagan debuted as the only host of the program.  GE added a host to provide continuity in the anthology format.  After four months, the show reached the Top Ten in the Nielsen ratings.

    The show made the already well-known Reagan, who had appeared in many films as a “second lead” throughout his career, wealthy, due to his part ownership of the show.  After eight years as host, Reagan estimated he had visited 135 GE research and manufacturing facilities, and met over a quarter-million people.  During that time he would also speak at other forums such as Rotary clubs and Moose lodges, presenting views on economic progress that in form and content were often similar to what he said in introductions, segues and closing comments on the show as a spokesman for GE.  Reagan, who would later be known as “The Great Communicator” because of his oratorical prowess, often credited these engagements as helping him develop his public speaking abilities.

    Reagan was fired by General Electric in 1962 in response to his reference to the TVA as one of the problems of “big government.”  Reagan would subsequently reiterate his points in his famous 1964 televised speech for Republican presidential nominee Barry M. Goldwater of Arizona entitled, “A Time for Choosing.”

    The publicity Reagan gained in part from this speech paved the way for his election as governor of California in 1966, when he unseated the two-term Democrat Edmund G. “Pat” Brown, Sr.
    Michael Reagan, adopted son of Ronald Reagan and Jane Wyman, contends that Attorney General of the United States Robert F. Kennedy pressured GE to cancel The General Electric Theater or at least to fire Reagan as the host if the program were to continue.  The series was not dropped because of low ratings but political intervention, Michael Reagan still maintains.  Michael Reagan said that Robert Kennedy told GE officials that the company would receive no federal contracts so long as Reagan was host of their showcase television series.   According to Michael Reagan, Kennedy’s directive is another example of the “law of unintended consequences.”  
    In fact, the primary reason Reagan was fired by General Electric for his comments regarding the TVA was that the TVA was one of General Electric’s biggest customers.  General Electric was and remains the largest supplier of equipment to the TVA and most other electricity producers in the United States.
    Don Herbert, a television personality well known as the host of Watch Mr. Wizard, appeared as the “General Electric Progress Reporter,” adding a scientific touch to the institutional advertising pitch.  The show was produced by Revue Studios, whose successor-in-interest, NBC Universal Television, is co-owned by GE.
    Following General Electric Theater’s cancellation in 1962, the series was replaced in the same time slot by the short-lived GE-sponsored GE True, hosted by Jack Webb.

     

  • Room 222 – ThrowbackMachine.com

    Room 222 – ThrowbackMachine.com

    Room 222

    Room 222 is an American comedy-drama television series produced by 20th Century Fox Television.  The series aired on ABC for 112 episodes from September 17th, 1969 until January 11th, 1974.

    The series focused on an American history class at the fictional Walt Whitman High School in Los Angeles, California, although it also depicted other events at the school.  Located in Room 222, the class was taught by Pete Dixon (Lloyd Haynes), an idealistic African-American schoolteacher.  Other characters featured in the show were the school’s compassionate guidance counselor, Liz McIntyre (Denise Nicholas), who was also Pete’s girlfriend; the dryly humorous school principal, Seymour Kaufman (Michael Constantine); and the petite and enthusiastic Alice Johnson (Karen Valentine), a student teacher.  Also shown was Patsy Garrett as Mr. Kaufman’s secretary, Miss Hogarth.  In addition, many recurring students were featured from episode to episode.
    Pete Dixon delivered gentle lessons to his students in tolerance and understanding.  Students admired his wisdom, insight and easygoing manner.  The themes of the episodes were sometimes topical, reflecting the current political climate (the late 1960s and early to mid-1970s such as the Vietnam War, women’s rights, race relations and Watergate).  However, most plots were timeless and featured themes still common to modern-day teenagers.  For example, the 1971 episode titled “What Is A Man?” deals with a student who is the victim of anti-gay harassment and the 1974 episode entitled “I Didn’t Raise My Girl to Be a Soldier?” deals with parent-teenager issues.
    The show featured many actors who went on to become major stars, such as Bruno Kirby, Bernie Kopell, Cindy Williams, Teri Garr, Jamie Farr, Rob Reiner, Anthony Geary, Richard Dreyfuss, Chuck Norris, Kurt Russell, and Mark Hamill.  In addition, former child stars David Bailey, Ricky Kelman, Flip Mark, and Michael Shea each made appearances on the series late in their respective careers.
    The program was filmed at 20th Century Fox studios.  Exterior shots of Los Angeles High School, which was damaged by an earthquake during the series’ run, were shown behind the opening credits and for some outdoor scenes in the early seasons.   Later exterior scenes were filmed at Los Angeles University High School.
    Room 222’s initial episodes garnered weak ratings, and ABC was poised to cancel the program after one season.  However, the show earned several nominations at the 1970 Emmy Awards, and ABC relented.  In the spring of 1970, Room 222 won Emmy Awards for Best New Series; Best Supporting Actor (Michael Constantine); and Best Supporting Actress (Karen Valentine).  The following year, Constantine and Valentine were again nominated in the supporting acting awards category.  After the shaky first season, Room 222 nevertheless managed to receive respectable ratings during its next three years.  Ratings peaked during the 1971-1972 season, during which it held a #28 viewership ranking.  By the start of the 1973-1974 season, ratings had fallen drastically, and ABC canceled the show at mid-season.  After the series ended, the program entered syndication and was rerun on several television stations throughout the United States.
    The theme song was written by film composer Jerry Goldsmith, written in a 7/4 time signature.  His theme and two episode scores were later issued by Film Score Monthly on an album with his score for the film Ace Eli and Rodger of the Skies.DavidJolliffe_room222_Bernie
    This dude rocked the ‘fro on this show.

     



  • the Ghost and Mrs. Muir – ThrowbackMachine.com

    the Ghost and Mrs. Muir

    The Ghost & Mrs. Muir is an American situation comedy based on the 1947 film of the same name, which was based on the 1945 novel by R. A. Dick. Itpremiered in September 1968 on NBC.  After NBC canceled the series, it aired on ABC for one season before being canceled a final time.

    The series stars Hope Lange as Carolyn Muir, a young widow who rents Gull Cottage, near the fictional fishing village of Schooner Bay, Maine along with her two children, housekeeper and their dog.  The cottage is haunted by the ghost of its former owner: Daniel Gregg, a 19th-century sea captain, played by Edward Mulhare.
    While the earlier film was set in early 1900s England, the sitcom employed a contemporary American setting.
  • sci-fi Archives – ThrowbackMachine.com

    Land of the Giants

    land of the giants

    Land of the Giants is an hour-long American science fiction television program lasting two seasons beginning on September 22nd, 1968, and ending on March 22nd, 1970. The show was created and produced by Irwin Allen.  Land of the Giants was the fourth of Allen’s science fiction TV series.  The show was aired on ABC and […]

    It’s About Time

    it's about time

    It’s about time, it’s about space, about two men in the strangest place. It’s About Time is an American fantasy/science-fiction comedy TV series that aired on CBS for one season of 26 episodes in 1966–1967.  The series was created by Sherwood Schwartz, and used sets, props and incidental music from Schwartz’s other television series in […]

    The Time Tunnel

    the time tunnel

    The Time Tunnel is a 1966–1967 U.S. color science fiction TV series, written around a theme of time travel adventure. The show was creator-producer Irwin Allen’s third science fiction television series, released by 20th Century Fox and broadcast on ABC. The show ran for one season of 30 episodes. Project Tic-Toc is a top secret […]

    Lost in Space

    lost in space

    Lost in Space is an American science fiction television series created and produced by Irwin Allen, filmed by 20th Century Fox Television, and broadcast on CBS.  The show ran for three seasons, with 83 episodes airing between September 15th, 1965, and March 6th, 1968. Though the original television series concept centered on the Robinson family, […]

    My Living Doll

    My Living Doll

    My Living Doll is an American science fiction sitcom that aired for 26 episodes on CBS from September 27th, 1964 to March 17th, 1965.  This series was produced by Jack Chertok and was filmed at Desilu studios by Jack Chertok Television, Inc., in association with the CBS Television Network.  The series was unusual in that […]

    Jonny Quest

    Jonny Quest

    Jonny Quest debuted on ABC at 7:30PM EDT on Friday, September 18th, 1964.  This prime time animated TV series is an American science fiction adventure television series about a boy who accompanies his scientist father on extraordinary adventures.  It was produced by Hanna-Barbera Productions for Screen Gems, and created and designed by comic book artist […]

    Voyage to the Bottom of the Sea

    voyage to the bottom of the sea

    Voyage to the Bottom of the Sea is a 1960s American science fiction television series based on the 1961 film of the same name.  Both were created by Irwin Allen. Voyage to the Bottom of the Sea was the first of Irwin Allen’s four science fiction television series, as well as the longest running.  It […]

  • I’ve Got a Secret – ThrowbackMachine.com

    I’ve Got a Secret

    I’ve Got a Secret is a panel game show produced by Mark Goodson and Bill Todman for CBS television.  Created by comedy writers Allan Sherman and Howard Merrill, it was a derivative of Goodson-Todman’s own panel show What’s My Line?.  Instead of celebrity panelists trying to determine a contestant’s occupation, the panel tries to determine a contestant’s “secret”: something that is unusual, amazing, embarrassing, or humorous about that person.

    The original version of I’ve Got a Secret premiered on June 19th, 1952 and ran until April 3rd, 1967.  This version began broadcasting in black and white and switched to a color format in 1966, by which time virtually all commercial network programs were being shown in color.

    The show was revived for the 1972–1973 season in once-a-week syndication.

  • 1974 Archives – ThrowbackMachine.com

    Room 222

    Room 222

    Room 222 is an American comedy-drama television series produced by 20th Century Fox Television.  The series aired on ABC for 112 episodes from September 17th, 1969 until January 11th, 1974. The series focused on an American history class at the fictional Walt Whitman High School in Los Angeles, California, although it also depicted other events […]

    Adam-12

    Adam-12

    Adam-12 is a television police drama that followed two police officers of the Los Angeles Police Department (LAPD), Pete Malloy and Jim Reed, as they rode the streets of Los Angeles in their patrol unit, 1-Adam-12.  Created by R. A. Cinader and Jack Webb, who is known for creating Dragnet, the series captured a typical […]

    Gunsmoke

    Gunsmoke

    Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston.  The stories take place in and around Dodge City, Kansas, during the settlement of the American West.  The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television. […]

    Disneyland

    Disneyland tv show

    The first incarnation of the Walt Disney anthology television series, commonly called The Wonderful World of Disney, premiered on ABC on Wednesday night, October 27th, 1954 under the name Disneyland.  The same basic show has since appeared on several networks under a variety of titles.  Originally hosted by Walt Disney himself, the series presented animated cartoons and other material (some […]

    Name That Tune

    Name That Tune

    Name That Tune is an American television game show that put two contestants against each other to test their knowledge of songs.  Premiering in the United States on NBC Radio in 1952, the show was created and produced by Harry Salter and his wife Roberta.  Name That Tune ran from 1953 to 1959 on NBC and CBS in prime time. The first hosts were Red Benson […]

    Masquerade Party

    Masquerade Party

    Masquerade Party is an American television game show.  During its original run from 1952–1960, the show appeared at various times on all three major networks except DuMont (ABC, NBC, and CBS).  A syndicated revival was produced for one season in 1974-75. A panel of celebrities met with another celebrity that was in heavy make-up and/or costume; this disguise would always […]

    Your Hit Parade

    Your Hit Parade

    Your Hit Parade is an American radio and television music program that was broadcast from 1935 to 1955 on radio, and seen from 1950 to 1959 on television.  It was sponsored by American Tobacco’s Lucky Strike cigarettes. André Baruch continued as the announcer when the program arrived on NBC television in summer 1950 (Del Sharbutt […]

  • What’s My Line – ThrowbackMachine.com

    What’s My Line – ThrowbackMachine.com

    What’s My Line

    What’s My Line? is a panel game show which originally ran in the United States on the CBS Television Network from 1950 to 1967, with several international versions and subsequent U.S. revivals.  The game tasks celebrity panelists with questioning contestants in order to determine their occupations.  It is the longest-running U.S. primetime network television game-show.  Moderated by John Charles Daly and with panelists Dorothy Kilgallen, Arlene Francis, and Bennett Cerf, What’s My Line? won three Emmy Awards for “Best Quiz or Audience Participation Show” in 1952, 1953, and 1958 and the Golden Globe for Best TV Show in 1962.

    Produced by Mark Goodson and Bill Todman for CBS Television, the show was initially called Occupation Unknown before deciding on the name What’s My Line?.  The original series, which was usually broadcast live, debuted on Thursday February 2nd, 1950 at 8:00 p.m. ET.  After airing alternate Wednesdays, then alternate Thursdays, finally on October 1st, 1950, it had settled into its weekly Sunday 10:30 p.m. ET slot where it would remain until the end of its network run on September 3rd, 1967.  The show was produced at CBS Studio 52 and, towards the end of its run, at CBS’ Studio 50 (now the Ed Sullivan Theater) in Manhattan.

    The original series was hosted (called the moderator at that time) by veteran radio and television newsman John Charles Daly.  Clifton Fadiman, Eamonn Andrews, and Bennett Cerf substituted on the four occasions Daly was unavailable.
    The show featured a panel of four celebrities who questioned the contestants.  On the initial program of February 2nd, 1950, the panel was former New Jersey governor Harold Hoffman, columnist Dorothy Kilgallen, poet Louis Untermeyer, and psychiatrist Richard Hoffmann.  For the majority of the show’s run the panel consisted of Kilgallen, Random House publisher and co-founder Bennett Cerf, actress Arlene Francis and a fourth guest panelist.  During the show’s earliest period the panel generally consisted of Kilgallen, Francis, Untermeyer and comedy writer Hal Block with Cerf replacing Untermeyer in 1951 and comedian Steve Allen replacing Block in 1953.  Steve Allen left to launch The Tonight Show in 1954 and was replaced by comedian Fred Allen who remained on the panel until his death in 1956.  After Kilgallen’s death in 1965 the two remaining seats on the panel were never filled regularly again.  The most frequent guest panelist was Arlene Francis’ husband Martin Gabel, who appeared 112 times.
    Regular announcers included Lee Vines (1950–1955), Hal Simms (1955–1961), Ralph Paul (1961), and Johnny Olson (1961–1967).

    What’s My Line? was a guessing game in which four panelists attempted to determine the line (occupation), or in the case of a famous “mystery guest,” the identity, of the contestant. Panelists were required to probe by asking only questions which could be answered “yes” or “no”.  A typical episode featured two standard rounds (sometimes a third, and very rarely a fourth) plus one mystery guest round.  On the occasions on which there were two mystery guests, the first would usually appear as the first contestant.

    For the first few seasons, the contestant would first meet the panel up close, for a casual “inspection”, and the panel was allowed one initial “wild guess.”  However, beginning in 1955 Daly simply greeted, then seated the contestant who instead met the panel at the end of the game.  The contestant’s line was then revealed to the studio and television audiences, and Daly would tell the panel whether the contestant was salaried or self-employed, and later in the series, dealt in a product or service.
    A panelist chosen by Daly would begin the game.  If he received a “yes” answer he continued questioning, but if he received a “no,” questioning passed to the next panelist and $5 was added to the prize.  The amount of the prize was tallied by Daly who flipped one of 10 cards on his desk.  A contestant won the top prize of $50 by giving ten “no” answers, or if time ran out, with Daly flipping all the cards.  As Daly occasionally noted, “10 flips and they (the panel) are a flop!”  Daly later explained, after the show had finished its run on CBS, the maximum payout of $50 was to ensure the game was played only for enjoyment, and that there could never be even the appearance of impropriety.  Later in the series, Daly would throw all the cards over with increasing frequency and arbitrariness, evidence the prize was secondary to game play.
    Panelists had the option of passing to the next panelist—or even disqualifying themselves entirely if they somehow immediately knew what the contestant’s occupation was, sometimes by virtue of having seen that contestant before—and they could also request a “conference,” in which they had a short time to openly discuss ideas about occupations or lines of questioning.
    Panelists adopted some basic binary search strategies, beginning with broad questions, such as whether the contestant worked for a profit-making or non-profit organization, or whether the product was alive (in the animal sense), worn, or ingested.  To increase the probability of “yes” answers they would often phrase questions in the negative starting with “Is it something other than…” or “Can I rule out…”
    The show popularized the phrase “Is it bigger than a breadbox?”, first posed by Steve Allen on January 18th, 1953 then refined over subsequent episodes.  Soon, other panelists were asking this question as well.  On one occasion the guest was a man who made breadboxes. It was correctly guessed by Allen after Kilgallen asked “Is it bigger than a breadbox” and Daly could not restrain his laughter.

    The final round of an episode involved blindfolding the panel for a celebrity “mystery guest” (originally called “mystery challengers” by Daly) whom the panel had to identify by name, rather than occupation.  In the early years of the show, the questioning was the same as it was for regular contestants, but starting with the April 17th, 1955 show, panelists were only allowed one question per turn.  Mystery guests usually came from the entertainment world, either stage, screen, television or sports.  When mystery guests came from other walks of life, or non-famous contestants whom the panel but not the studio audience might know, they were usually played as standard rounds.  However, the panel might be blindfolded, or the contestant might sign in simply as “X”, depending on whether he would be known by name or sight.
    Mystery guests would usually attempt to conceal their identities with disguised voices, much to the amusement of the studio audience.  According to Cerf, the panel could often determine the identity of the mystery guest early, as they knew which celebrities were in town, or which major movies or plays were about to open.  On those occasions, to provide the audience an opportunity to see the guest play the game, the cast would typically allow questioning to pass around at least once before coming up with the correct guess.
    Sometimes, two mystery guest rounds were played in an episode, with the additional round usually as the first round of the episode.
    What’s My Line? is known for its attention to manners and class.  In its early years, business suits and street dresses were worn by the host and panelists, but by 1953, the men wore black suits with bow ties (a few guests in fact wore tuxedos) while female panelists donned formal gowns and often gloves.  Exceptions to this dress code were on the broadcasts immediately following the deaths of Fred Allen and Dorothy Kilgallen, in which the male cast members wore straight neckties and the women ordinary dresses instead of evening gowns.

    Often Daly would need to clarify a potentially confusing question, but his penchant for verbose replies often left panelists more confused than before (which Danny Kaye once parodied as a panelist).  On more than one occasion, Daly “led the panel down the garden path” – a favorite phrase used when the panel was misled by an answer.

    To begin a round, Daly would invite the contestant to “come in and sign in, please” which by 1960 evolved to the more familiar “enter and sign in, please.”  The contestant entered by writing his or her name on a small sign-in board.  Daly would then usually ask where the guest lived and, with a woman, if she should be addressed as “Miss” or “Mrs.” Early in the show’s run, the panel was allowed to inspect contestants, studying their hands, or label on their suit or asking them to make a muscle.
    While ostensibly a game show, if there was time, it was also was an opportunity to conduct interviews.  Line’s sister show, I’ve Got a Secret (and later the syndicated version of WML) engaged in the practice of contestants’ demonstrating their talents.  However, despite frequent requests by the panel (particularly Arlene Francis) such demonstrations rarely occurred as according to executive producer Gil Fates, Daly was not fond of this practice.

    After the first four episodes, the show gained its initial sponsor: Stopette spray deodorant made by Jules Montenier, Inc.  This involved featuring the product in the show’s opening, on the front of the panel’s desk, above the sign-in board, and on Daly’s scorecards.  Bennett Cerf explained that Dr. Montenier was ultimately ruined by his refusal to abandon or share sponsorship as the show entered new markets and became too expensive.  After Dr. Montenier sold Stopette to Helene Curtis, the series was sponsored by a variety of companies which were either regular or rotating. Sponsors were accorded the same exposure on the set as Stopette.  Near the end of its run, sponsors would be introduced in the opening title and given commercials during the show, but would not be displayed on the set.
    Unknown to the public, mystery guests were paid $500 as an appearance fee, whether they won or lost the game.  This was in addition to the maximum $50 game winnings, which guests sometimes donated to charity.  Guest panelists were paid $750 as an appearance fee.  The regular panelists were under contract and were paid “much more,” according to Fates. Bennett Cerf explained that when he became a permanent member of the program, he was paid $300 per week, and by the end of the series, they were being paid “scandalous amounts of money.”
    From 1950 to 1966, the game show was broadcast in black-and-white, as was typical of most game shows at the time.  But by 1966, prime-time programs on all three networks started broadcasting in color.  After the show ended in 1967, CBS replaced the color videotapes with the kinescope versions instead for syndication.  As a result of this change, the 1966-1967 episodes of What’s My Line? were only shown in black-and-white after the show ended.

    CBS announced in early 1967 that a number of game shows, including What’s My Line?, were to be canceled at the end of the season.  Bennett Cerf wrote that the network decided that game shows were no longer suitable for prime time, and that the news was broken by the New York Times before anyone involved with the show was notified.
    The 876th and final CBS telecast of What’s My Line? aired on September 3rd, 1967; it was highlighted by clips from past telecasts, a visit by the show’s first contestants, and the final mystery guest, who was John Daly himself.  Daly had always been the emergency mystery guest in case the scheduled guest was unable to appear on the live broadcast, but this had never occurred.  Mark Goodson, Bill Todman and Johnny Olson appeared on-camera as well.